Seeking Equity Performers for 2025-26 Season Shows

A major singing star, Bob is the guiding force behind the song and dance team of Wallace and Davis. He wears his fame easily and is a born leader but has some trouble with social and romantic interactions. Despite his occasional gruffness, he is a deeply kind and principled man who is searching for his true love. A superb singer with a crooning style - dances extremely well. Baritone. "WHITE CHRISTMAS"

The fun-loving, go-getting song-and-dance partner of the team Wallace and Davis. An irrepressible clown, operator and incorrigible flirt who is determined to see his friend happy, even if it requires scheming and outright deception. He has a boyish charm and sex appeal. Strong jazz and tap-dancer – a song-and-dance comic performer; BariTenor. "WHITE CHRISTMAS"

The sensible, responsible half of the up-and-coming song-and-dance team, the Haynes Sisters. Destined to be a star in her own right, she is nonetheless hesitant to take the spotlight for herself. A woman of decent, upstanding principles, she is devoted to her younger sister. Like Bob, she hides her yearning for true love under a protective shell. A rich chest mix sound with a soprano extension. Dances extremely well. "WHITE CHRISTMAS"

The younger, more ambitious, slightly scheming Haynes sister. While wholesome and adorable, she is flirty and a winning charmer. Strong jazz and tap dancer – a major song-and-dance performer with a chest mix. "WHITE CHRISTMAS"

A retired US Army General, adjusting to returning to civilian life in post-World War II America. Once a powerful leader, he now struggles to run an Inn in Vermont. He remains a man of great principle and dignity. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. A mostly non-singing role. "WHITE CHRISTMAS"

Once a Broadway star, now the General’s housekeeper and receptionist at the Inn. Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life in spite of his protestations. She is an irrepressible meddler, but always for what she believes to be the other guy’s best interests. A winning, appealing character-comedienne with a clarion belt voice. "WHITE CHRISTMAS"

Army buddy of Bob and Phil’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. Baritone. "WHITE CHRISTMAS"

The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace. "WHITE CHRISTMAS"

Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order. "WHITE CHRISTMAS"

The co-owner and brand-new proprietress of Monskwell Manor with her husband, Giles. She has an ‘ingenous air.’ Though she lacks experience, she makes up for it in her work ethic, her cunning, and her good sense. She carries deep guilt from her past and hasn’t forgiven herself. "THE MOUSETRAP"

The co-owner and brand-new proprietor of Monkswell Manor. Confident, sometimes arrogant, and eager to prove himself. Loving, but insecure in his young marriage, and his jealousy becomes increasingly dangerous. "THE MOUSETRAP"

A flighty, neurotic, and off-putting young man. His strange behavior may be covering up something from his past, or perhaps he is just deeply lonely. "THE MOUSETRAP"

A former magistrate. Stern, unpleasant, and demanding without apology. Her actions belie her guilty conscious and desire for forgiveness. "THE MOUSETRAP"

A typical military officer. Curious, observant, and helpful. His pleasant countenance makes him difficult to read. "THE MOUSETRAP"

A contrarian who refuses to live the way others expect a young woman to and is disparaged for being too ‘manly.’ Her confidence is intimidating to others and she knows it. She’s aloof and carries darkness with her. "THE MOUSETRAP"

An unexpected guest. It seems as though he may be trying to hide his true identity by pretending to be older than he is. His erratic behavior keeps everyone off balance and he enjoys toying with others. "THE MOUSETRAP"

Mid-20s. A cheerful, commonplace young man with a slight cockney accent. He is competent and energetic, determined to solve the crime at hand. "THE MOUSETRAP"

Handsome and ‘earnest.’ A Justice of the Peace; a seemingly responsible and respectable young man who leads a double life; guardian of Cecily Cardew. British dialect. Strong comedy skills. "THE IMPORTANCE OF BEING EARNEST"

A charming bachelor; best friend of Jack who he knows as Ernest and nephew of Lady Bracknell; brilliant, witty, selfish, and amoral. British dialect. Strong comedy skills. "THE IMPORTANCE OF BEING EARNEST"

Rector of the Worthing estate; Doctor of Divinity; entertains secret romantic feelings for Miss Prism. British dialect. "THE IMPORTANCE OF BEING EARNEST"

Will Double as both of these roles: Lane only appears in Act I; Merriman only appears in Act II and III. Lane is Algernon Moncrieff’s manservant. Merriman is Butler to John Worthing. British dialect. "THE IMPORTANCE OF BEING EARNEST"

Algernon Moncrieff’s snobbish, mercenary, and domineering aunt and Gwendolen’s mother; primary goal is to see her daughter marry well; cunning, narrow-minded, and authoritative. British dialect. "THE IMPORTANCE OF BEING EARNEST"

Lady Bracknell’s daughter and Algernon Moncrieff’s cousin; in love with Jack whom she knows as Ernest; sophisticated, intellectual, cosmopolitan, and utterly pretentious. British dialect. Strong comedy skills. "THE IMPORTANCE OF BEING EARNEST"

John Worthing’s ward; intrigued by the idea of wickedness. Sweet, hopeful, and magnetic. "THE IMPORTANCE OF BEING EARNEST"

Miss Cardew’s governess; despite her rigidity seems to have a softer side; entertains romantic feelings for Rev. Chasuble. British dialect. "THE IMPORTANCE OF BEING EARNEST"

Ages from 16-29 throughout the show. An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. A powerful, distinctive voice. "BEAUTIFUL: THE CAROLE KING MUSICAL"

Ages from late teens to late 20s throughout the show. Carole’s boyfriend, songwriting partner and eventual husband. He is smoldering, dark & handsome with a rebel vibe. Although sexy, he is innately sympathetic, wounded and tortured. An ambitious artist always striving for more. Sings well. Baritone/tenor. "BEAUTIFUL: THE CAROLE KING MUSICAL"

Ages from late teens to late 20s throughout the show. A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable. Strong comic timing and sings extremely well. Belt. "BEAUTIFUL: THE CAROLE KING MUSICAL"

Ages from late teens to late 20s throughout the show. A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable. Comedic with a great voice. A strong high tenor comfortable with pop & rock style singing. "BEAUTIFUL: THE CAROLE KING MUSICAL"

An influential music publisher and producer. He is a fast-talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. "BEAUTIFUL: THE CAROLE KING MUSICAL"

Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. "BEAUTIFUL: THE CAROLE KING MUSICAL"

Ambitious and intelligent. A clean-cut former athlete turned assistant professor, new to his post. Married Honey because she said she was pregnant. "WHO’S AFRAID OF VIRGINIA WOOLF?"

Naive, frail, and submissive wife to Nick. She gets deeper in her cups to survive the evening. "WHO’S AFRAID OF VIRGINIA WOOLF?"

An author and public speaker. Her persona as a public speaker is calm, self-assured, and put together, but it definitely masks her far more frenetic real-life demeanor. She is burdened by a dark secret from her past and has refused to confront the truth of her relationship with her late husband. "CIRCLE FORWARD"

School nurse and Ethan’s mom. A loving young mom doing her best. She has been dealing with Ethan’s unusual temperament for his entire life and is currently trapped in an abusive relationship. "CIRCLE FORWARD"

18+ to play 15. Lexi’s son who believes he is the reincarnation of Mia’s late husband. Ethan is a timid young boy who is occasionally possessed by the spirit of Robby, Mia’s charismatic and brash late husband. "CIRCLE FORWARD"

18+ to play 17. Mia’s daughter. One of those people who was born perfectly at ease with her space in the world and her value in it. "CIRCLE FORWARD"

Baritenor. Believes himself to be the leader of the group and deems himself an expert in all things "Shakespeare". Can be condescending and loud but is ultimately sweet and insecure. Doubles as Malvolio, Feste, and others. Excellent folk guitarist. Ideally plays other handheld instruments (ukulele, banjo, mandolin, bass, etc.). "THE TWELFTH NIGHT SHOW"

Alto. BIPOC. Idealist. Loves Shakespeare but is bored of the traditional tropes. Knows they are the smartest in the room. Doubles as Viola and others. Plays at least one of the following: guitar, bass, cello, violin, piano. Ideally a multi-instrumentalist. "THE TWELFTH NIGHT SHOW"

Alto. Stand-up comedian, improv actor, and musician. Always goes for the laugh. Terrible taste in men. Doubles as Olivia, Sir Toby, and others. Plays at least one of the following: guitar, bass, cello, violin, piano. Ideally a multi-instrumentalist. "THE TWELFTH NIGHT SHOW"

Tenor. Crazy talented, but less confident than they should be. Shy. A romantic. Doubles as Orsino, Sir Andrew, and others. Excellent percussionist and guitarist. Ideally plays other handheld instruments (ukulele, banjo, mandolin, bass, etc.). "THE TWELFTH NIGHT SHOW"