Casting Performers for 25/26 Season
Currently seeking male and female talent for the 25/26 season. Please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: 1. "GOOSEBUMPS THE MUSICAL: PHANTOM OF THE AUDITORIUM" SYNOPSIS: Best friends and long-time horror fans Brooke and Zeke are cast as the leads in the school’s new production of an old play about a phantom. Strange things start disrupting rehearsals and they have to wonder: is this someone’s idea of a joke? Or is the Phantom real? Rehearsal Dates: Sept. 17 – Oct. 10, 2025 Tues-Fri 4-8:30pm Sat 12:30-4pm, 5-8:30pm Sun 10-1:30pm, 2:30-6pm Performance Dates: Oct. 11 – Nov. 2, 2025 2. "THE PIGEON GETS A BIG TIME HOLIDAY EXTRAVAGANZA" Inspired by his book DON’T LET THE PIGEON DRIVE THE SLEIGH, Mo Willems has crafted a new holiday musical sure to delight fans of all ages. Featuring Elephant and Piggie, Pigeon and a bunch of our friends from the Unlimited Squirrels series this musical adventure takes us to the north pole on a rollicking journey to discover the magic of Christmas and the power of true friendship. Rehearsal Dates: Oct. 29 – Nov. 20, 2025 Tues-Fri 4-8:30pm Sat 12:30-4pm or 5-8:30pm Sun 10-1:30pm or 2:30-6pm Performance Dates: Nov. 21 – Dec. 28, 2025 3. "PETER PAN AND WENDY" Rediscover the loopy fun and the darker corners of J.M. Barrie's original novel with this faithful, fast-moving, and easy-to-stage adaptation. When the carefree and careless Peter Pan flies into the nursery of the Darling home, Wendy follows her instincts for maternity and adventure, bringing her little brothers along to the magical Neverland to take care of the motherless Lost Boys. Soon the Darling children are swept into Peter's deadly battle with Captain Hook and his mostly-fearsome pirate crew. With so much excitement, why ever go home again...? Rehearsal Dates: Jan. 28 – Feb. 19, 2026 Tues-Fri 4-8:30pm Sat 12:30-4pm or 5-8:30pm Sun 10-1:30pm or 2:30-6pm Performance Dates: Feb. 20 – Mar. 22, 2026 4. "FROZEN: THE BROADWAY MUSICAL" Synopsis: Based on the Academy Award-winning animated feature film, Disney’s Frozen includes all the film’s beloved songs by Kristen Anderson-Lopez and Robert Lopez, along with new music written exclusively for the stage. In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up sheltered inside their castle, isolated from the world and increasingly distant from each other. When Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take control, and she flees into the mountains. As a ferocious winter descends on Arendelle, Anna sets off on an epic journey to find Elsa and bring her home – with the help of hardworking ice harvester Kristoff, his loyal reindeer Sven, and a happy-go-lucky snowman named Olaf. Rehearsal Dates: Mar. 11 – April 10, 2026 Tues-Fri 4-8:30pm Sat 12:30-4pm or 5-8:30pm Sun 10-1:30pm or 2:30-6pm Performance Dates: April 11 – May 17, 2026 Additional info: Please prepare a monologue and a song in the style of the season . You can also choose to prepare two contrasting monologues instead. Your pieces, including your slate, should be 3-5 minutes in length. Directors will have an accompanist in the room. For being considered, please apply.
14 roles
"GOOSEBUMPS THE MUSICAL: PHANTOM OF THE AUDITORIUM" (Female-identifying) Passionate, but stressed-out theater teacher. Vocal range: Mezzo-Soprano, B3–D5
"GOOSEBUMPS THE MUSICAL: PHANTOM OF THE AUDITORIUM" The school’s custodian with inside knowledge of the Phantom. Vocal range: Baritone/Bass, F#2–E4
"THE PIGEON GETS A BIG TIME HOLIDAY EXTRAVAGANZA" Mischievous, persistent, and larger than life. Vocal Range: Tenor/Mezzo-Soprano, Bb3–G5
"PETER PAN AND WENDY" (Male-identifying) Dual role as both the stern and proper Mr. Darling and the theatrical, villainous pirate captain. (Stage combat)
"PETER PAN AND WENDY" (Female-identifying) Doubles as both Mrs. Darling and a key Koken performer, manipulating the world of the play. Strong, fluid movement required for scene transitions and special effects.
"PETER PAN AND WENDY" A flamboyant, dramatic pirate with a flair for the theatrical. Stylized pirate movement and fluid Koken work; may include partner lifts or assisting flight illusions. Combat
"PETER PAN AND WENDY" Hook’s bumbling but endearing first mate, providing comic relief. As a Koken, assists with movement illusions. Strong physical comedy skills: will manipulate props and assist in transitions and stylized sequences. Combat
"PETER PAN AND WENDY" A member of Hook’s crew and an integral part of the Koken ensemble. Will function in choreographed fights and assist with flying and illusions; strong movement-based acting required. Combat
"PETER PAN AND WENDY" A member of Hook’s crew and an integral part of the Koken ensemble. Will function in choreographed fights and assist with flying and illusions; strong movement-based acting required. Combat
"FROZEN: THE BROADWAY MUSICAL" (Female-identifying) The reserved but powerful Queen of Arendelle. Vocal Range: Mezzo-Soprano with strong belt, F3–E5
"FROZEN: THE BROADWAY MUSICAL" (Male-identifying) The wise but cautious King of Arendelle (Elsa and Anna’s father), and the comically pompous, scheming nobleman Weselton. Vocal Range: Baritone, D3–E4
"FROZEN: THE BROADWAY MUSICAL" (Female-identifying) The warm and caring Queen of Arendelle (Elsa and Anna’s mother), later appearing in ensemble roles. Vocal Range: Mezzo-Soprano, B3–C#5
"FROZEN: THE BROADWAY MUSICAL" Pabbie, the wise leader of the mystical trolls, and Oaken, the jolly owner of Wandering Oaken’s Trading Post and Sauna. Some stylized movement as Pabbie; comedic physicality for Oaken. Vocal Range: Baritone/Bass or Alto, (A2–D4)
"FROZEN: THE BROADWAY MUSICAL" Bulda, a loving and eccentric troll who “adopts” Kristoff, appearing later in ensemble roles. Vocal Range: Mezzo-Soprano/Alto, B3–D5
RELATED CASTING CALLS
