Equity Actors Audition for 2025-26 Season Shows
Equity actors for roles in 2025-26 Season. See breakdown below. Rate: LORT Non-Rep $839 weekly minimum (LORT D) Additional info: Audition Lunch 1:30 PM - 2:30 PM PREPARATION Please prepare a brief monologue or song of your choice. Please slate before your audition. Please note slots do not exceed 3 minutes in length. Also, bring your headshot and resume stapled together. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "A CHRISTMAS CAROL" First Rehearsal: 10/14/25 Opens: 11/23/25 Closes: 1/4/26 *No performances on Christmas or New Year’s Day. Please note this is a play with music, with folk Christmas songs woven throughout. Please note all actors aside from Scrooge also play “the Kind Chorus,” a chorus of spirits that have come to tell this story to the audience. "STEEL MAGNOLIAS" First Rehearsal: December 12th Opens: January 18th Closes: February 8th "TWELFTH NIGHT" First Rehearsal: 1/27/26 Opens: 3/1/26 Closes: 3/29/26 "THE WOMAN QUESTION" First Rehearsal: 3/31/26 Opens: 5/10/26 Close: 5/24/26 "AIN’T MISBEHAVIN'" First Rehearsal: 6/9/26 Opens: 7/12/26 Closes: 8/16/26 If you are interested, please apply.
19 roles
Ebullient, playful, puppy dog. Doubles as Young Scrooge. Strong baritone/tenor. "A CHRISTMAS CAROL"
An embattled and embittered man who strives to make things right. Strong bass/baritone voice. "A CHRISTMAS CAROL"
Warm, generous, fierce. "A CHRISTMAS CAROL"
Shy, soft-spoken, perhaps naive. Evolves into a confident young woman. "STEEL MAGNOLIAS"
A resilient, resourceful, smooth operator with a quick wit. Navigating complicated questions around identity. Singing ability is encouraged but not required. "TWELFTH NIGHT"
Cunning, boisterous, and exceedingly charming. Singing ability is encouraged but not required. "TWELFTH NIGHT"
An efficient and effective servant with a dry sense of humor and a vengeful spirit. Singing ability is encouraged but not required. "TWELFTH NIGHT"
Foppish, sincere, and vulnerable. Singing ability is encouraged but not required. "TWELFTH NIGHT"
BIPOC. Wry, lithe, and facile, Feste moves adeptly between personalities with his sense of humor and sharp mind. Plays the guitar and sings. "TWELFTH NIGHT"
BIPOC. A servant with a chip on his shoulder. Singing ability is encouraged but not required. "TWELFTH NIGHT"
Streetwise, experienced, and loyal. In the midst of a prolonged period of longing. Singing ability is encouraged but not required. "TWELFTH NIGHT"
Formerly enslaved, queer. Outspoken, Eliza comes into the school with a ton of practical knowledge. "THE WOMAN QUESTION"
Kurdish student from Syria, a researcher at heart. "THE WOMAN QUESTION"
Japanese student, Christian. Kei is married, her husband is also at school in the states, they are long distance. Quiet and extremely observant. "THE WOMAN QUESTION"
Unrepentant party hound, a flirt, and a bit of a womanizer. Vocal range G2 - E6, baritone/tenor. "AIN’T MISBEHAVIN'"
Strong willed, unafraid, at ease. Vocal range G3 - C6, soprano. "AIN’T MISBEHAVIN'"
Sweet, young, innocent. Vocal range G3 - G5 mezzo soprano. "AIN’T MISBEHAVIN'"
Jovial, cheerful, loud, larger than life. Vocal range D3 - C6 tenor. "AIN’T MISBEHAVIN'"
Confident, charming, knowledgeable. Vocal range F3 - F5 alto. "AIN’T MISBEHAVIN'"
RELATED CASTING CALLS
