Casting Equity Actors for 2025 Season Shows
Equity actors for roles in 2025 Season. ONLY LOCAL TALENT WILL BE CONSIDERED. See breakdown below. Rate: SPT $323 weekly minimum (SPT 1) Additional info: PREPARATION Please prepare a 1 to 2 minute classical or classically inspired monologue and bring one copy of your headshot and resume. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "THE MERRY WIVES OF WINDSOR" Rehearsals begin May 8 Performances: June 5 – June 21 Thursdays through Sundays at 8:00 pm "LOVE'S LABOUR'S LOST" Rehearsals begin July 7 Performances: August 7 – 17 Thursdays through Sundays at 8:00 pm "THE LION IN WINTER" Rehearsals begin September 9 Performances: October 9 – 19 Thursdays at 7:30 pm, Fridays & Saturdays at 8:00 pm, Sundays at 2:00 pm If you are interested, please apply.
38 roles
A middle-aged lady of Windsor, married to Master Frank Ford. "THE MERRY WIVES OF WINDSOR"
A middle-aged lady of Windsor who is fond of her husband George, though she has rather different ideas about who should marry their daughter Anne. "THE MERRY WIVES OF WINDSOR"
The daughter of Master George Page and Mistress Margaret. "THE MERRY WIVES OF WINDSOR"
Dr. Caius’s housekeeper, a foolish woman with a poor command of language, mixing up her English words and unable to identify Latin as a foreign language as opposed to dirty English. "THE MERRY WIVES OF WINDSOR"
Justice Shallow’s nephew, a rich and foolish man who wishes to marry Anne Page. "THE MERRY WIVES OF WINDSOR"
A young, good-looking gentleman with a bit of a wild past who became very attracted to Anne Page when he discovered how rich her father is. "THE MERRY WIVES OF WINDSOR"
An old and respectable man, if somewhat foolish. "THE MERRY WIVES OF WINDSOR"
A wealthy gentleman of Windsor, married to Mistress Margaret and father of Anne and William. "THE MERRY WIVES OF WINDSOR"
The young son of Master George Page and Mistress Margaret. "THE MERRY WIVES OF WINDSOR"
A Welsh parson and the schoolmaster of Windsor; he has not lost his very heavy accent either in English or in Latin, which is a source of much amusement to the others. "THE MERRY WIVES OF WINDSOR"
A French physician, a short-tempered, easily offended man who is wooing Anne Page and does not wish to see anyone else moving in on her. "THE MERRY WIVES OF WINDSOR"
A rather merry innkeeper who is incapable of saying anything simply and likes showing off how many words he knows. "THE MERRY WIVES OF WINDSOR"
One of Falstaff’s followers; when the fat knight can no longer afford to keep his men, he finds Bardolph a job as bartender for the Host. "THE MERRY WIVES OF WINDSOR"
One of Falstaff’s followers, a swaggering man who loves the sound of his own voice and is incapable of speaking like a normal human being, instead grandiloquently talking like a hammy actor in a melodrama. "THE MERRY WIVES OF WINDSOR"
One of Falstaff’s followers and is obsessed with humors. "THE MERRY WIVES OF WINDSOR"
Falstaff’s page but is not the most faithful of servants. "THE MERRY WIVES OF WINDSOR"
Slender’s servant, an obsequious fellow much impressed by his social betters who must put up with a lot from his foolish master. "THE MERRY WIVES OF WINDSOR"
Dr. Caius’s servant. He is deeply intimidated by his master. "THE MERRY WIVES OF WINDSOR"
King of Navarre, is not the most dedicated monarch in the world, preferring to hide away and study for three years instead of taking care of his kingdom. "LOVE'S LABOUR'S LOST"
A lord at the court of Navarre, among the King’s best friends and one of the three who agree to join him on his scholarly retreat, though he is rather skeptical of the feasibility of the plan. "LOVE'S LABOUR'S LOST"
A tall young lord at the King of Navarre’s court, one of the three lords who agree to join the King on his scholarly retreat, convinced that three years without good food or women is not so long. "LOVE'S LABOUR'S LOST"
A lord at the King of Navarre’s court, one of the three lords who agree to join the King on his scholarly retreat. "LOVE'S LABOUR'S LOST"
A gossipy French lord attending on and counseling the Princess of France, quick to note that the young men have fallen for the ladies. "LOVE'S LABOUR'S LOST"
Her father the King’s heir, sent on an important diplomatic mission to Navarre. "LOVE'S LABOUR'S LOST"
A witty and intelligent lady attending on the Princess of France. "LOVE'S LABOUR'S LOST"
A lady attending on the Princess of France who met Longaville at a family wedding and was rather impressed by him. "LOVE'S LABOUR'S LOST"
A lady attending on the Princess of France who was rather impressed when she first met Dumaine and is much less so when he breaks his oath and falls in love with her. "LOVE'S LABOUR'S LOST"
A country wench who does not have the greatest reputation for virtue. "LOVE'S LABOUR'S LOST"
An affected Spanish braggart, a man who thinks himself finer than he actually is and talks in mind-bogglingly fancy language, qualifying every word in a dozen ways and taking paragraphs to get to the point. "LOVE'S LABOUR'S LOST"
The local curate, a man greatly impressed by Holofernes’s learning and by his own. "LOVE'S LABOUR'S LOST"
A pedant, and the local schoolteacher. "LOVE'S LABOUR'S LOST"
The local constable, a blunt and unloquacious man who has no qualms about admitting that he has no idea what anyone else is talking about when they use their high-falutin’ language. "LOVE'S LABOUR'S LOST"
A swain at the court of Navarre who is caught chatting with Jaquenetta by Armado in spite of the King’s order that men are not to see women. "LOVE'S LABOUR'S LOST"
Don Armado’s page, a young, small, and extremely quick-witted boy who can not only hold his own with his master’s affected language, but best him at it. "LOVE'S LABOUR'S LOST"
Unable to keep up with the Princess’ games of wit but is rewarded for trying to all the same. "LOVE'S LABOUR'S LOST"
Male presenting. Eldest son of Richard and Eleanor. Filled with bravado and selfesteem, though it masks a more vulnerable side. "THE LION IN WINTER"
Male presenting. Middle son of Richard and Eleanor. Filled with intellect and cunning, but resentment for how his parents seem to favor one of his brothers or the other is what drives him the most. "THE LION IN WINTER"
Female presenting. While Henry’s concubine, she is actually very much in love with him. She is in fact promised to Richard at the start of the play, something she and Henry haven’t yet figured out how to resolve. As much as she loves Henry, she knows his love for her is her only leverage and she intends to use it. "THE LION IN WINTER"