Actors Required for Upcoming Season Shows in NY

Vocal Type: Mezzo-Soprano, Belt (E3–F#5)
 A sassy, confident disco diva who dreams of fame and fortune but finds herself hiding in a convent after witnessing a murder. She transforms the convent’s choir and discovers sisterhood and purpose. Needs strong comedic timing, excellent vocal ability, and stage presence. "SISTER ACT"

Vocal Type: Alto/Mezzo-Soprano (D3–E5)
 The stern but caring head of the convent. Initially resistant to Deloris’ influence, she ultimately learns to embrace change. Requires strong acting ability and powerful vocal delivery. "SISTER ACT"

Vocal Type: Soprano, Belt (F#3–A5)
 A shy and timid postulant who finds her voice and confidence through Deloris’ guidance. Needs a powerful belt and the ability to portray a transformation from meek to bold. "SISTER ACT"

Vocal Type: Mezzo-Soprano (G3–E5)
 A bubbly, enthusiastic nun who embraces Deloris immediately. Full of joy and energy, she provides comic relief. Needs strong comedic timing and a bright vocal tone. "SISTER ACT"

Vocal Type: Alto (F3–B4)
 The wisecracking, deadpan nun who was previously in charge of the choir. She adapts to Deloris' changes and brings a sarcastic but lovable presence. Needs strong comedic skills and rhythm. "SISTER ACT"

Vocal Type: Baritone (E3–G4)
 A warm and comedic priest who welcomes Deloris and embraces the newfound success of the choir. Needs strong stage presence and comedic ability. "SISTER ACT"

Vocal Type: Baritone (A2–Ab4) A smooth but dangerous gangster and Deloris’ ex-boyfriend. He is charming yet ruthless. Needs a strong presence, good comedic timing, and a powerful singing voice. "SISTER ACT"

Vocal Type: Tenor (Ab2–B4) A kind-hearted but awkward police officer who has had a crush on Deloris since high school. He helps her stay safe and ultimately gains confidence. Requires strong acting, comedic timing, and a good pop-tenor voice. "SISTER ACT"

Vocal Type: Tenor (Db3–Eb5)
 Curtis’ nephew and one of his goofy henchmen. A wannabe tough guy who is more comic relief than a real threat. Needs strong comedic chops and solid singing ability. "SISTER ACT"

Vocal Type: Tenor/Baritone (Bb2–Eb5)
 Another of Curtis’ henchmen, Joey is the smooth-talking ladies' man of the trio. Requires strong comedic timing and vocal ability. "SISTER ACT"

Vocal Type: Tenor (C4–F5)
 The silent but deadly member of Curtis’ gang. Speaks mostly in Spanish but has a lot of comedic presence. Needs a strong falsetto for “Lady in the Long Black Dress.” "SISTER ACT"

Vocal Type: Mezzo-Soprano (Ab3–F5)
 Michelle & Tina
- Deloris’ backup singers in her nightclub act. Sassy, stylish, and fun. Must be strong vocalists with good movement ability. "SISTER ACT"

Vocal Type: Mezzo-Soprano (Ab3–F5)
 Michelle & Tina
- Deloris’ backup singers in her nightclub act. Sassy, stylish, and fun. Must be strong vocalists with good movement ability. "SISTER ACT"

Ensemble. Strong singers and dancers needed. "SISTER ACT"

Ensemble. Strong singers and dancers needed. "SISTER ACT"

Ensemble. Strong singers and dancers needed. "SISTER ACT"

A powerful Roman general and politician, celebrated for his victories but feared for his growing ambition. His assassination drives the play’s central conflict. Requires a commanding stage presence and strong oratory skills. "JULIUS CAESAR"

A noble Roman and close friend of Caesar who struggles between his loyalty to Rome and his personal affection for Caesar. A tragic hero with deep internal conflict. Needs strong classical acting ability and emotional depth. "JULIUS CAESAR"

A shrewd and manipulative senator who resents Caesar’s power and persuades Brutus to join the conspiracy. Cunning, persuasive, and driven by envy. Needs excellent rhetorical skills and intensity. "JULIUS CAESAR"

A loyal friend of Caesar who masterfully turns the public against the conspirators with his famous funeral speech. Charismatic, intelligent, and politically savvy. Requires strong emotional range and persuasive delivery. "JULIUS CAESAR"

Caesar’s adopted heir who rises to power following his uncle’s death. Initially inexperienced, he grows into a strong and authoritative leader. Needs a strong presence and a sense of youthful determination. "JULIUS CAESAR"

A cynical and sarcastic senator who is the first to stab Caesar. Witty and observant, he provides insight into the political climate of Rome. Needs sharp comedic timing and a strong command of language. "JULIUS CAESAR"

Caesar’s devoted wife, haunted by ominous dreams warning of his downfall. Deeply emotional and caring, but powerless to change fate. Requires strong dramatic ability. "JULIUS CAESAR"

Brutus’ wife, who is intelligent, strong-willed, and deeply concerned for her husband. She proves her loyalty with an extreme act of self-harm. Needs strong emotional intensity and vulnerability. "JULIUS CAESAR"

A conspirator against Caesar, tasked with planting forged letters to manipulate Brutus. Needs a sense of secrecy and urgency. "JULIUS CAESAR"

A separate character from Cinna the Conspirator, he is mistaken for the traitor and brutally murdered by an angry mob. A small but powerful role symbolizing chaos and the dangers of blind rage. "JULIUS CAESAR"

A conspirator who lures Antony away from the Senate so the others can kill Caesar. Unlike the others, he does not stab Caesar. Requires a strong, steady presence. "JULIUS CAESAR"

A conspirator who distracts Caesar by pleading for his exiled brother’s return, allowing the others to strike. Needs a persuasive and strategic demeanor. "JULIUS CAESAR"

A conspirator who convinces Caesar to ignore Calpurnia’s warnings by reinterpreting her dream. Smooth-talking and manipulative. "JULIUS CAESAR"

A member of the Second Triumvirate alongside Antony and Octavius, though he is seen as weak and unremarkable. Requires the ability to play a more submissive character. "JULIUS CAESAR"

A mysterious figure who warns Caesar to “beware the Ides of March.” Needs an eerie, prophetic quality. "JULIUS CAESAR"

Flavius & Marullus: Tribunes who scorn the common people for celebrating Caesar’s return. They represent opposition to Caesar’s growing power. "JULIUS CAESAR"

Flavius & Marullus: Tribunes who scorn the common people for celebrating Caesar’s return. They represent opposition to Caesar’s growing power. "JULIUS CAESAR"

A large ensemble is needed to portray the shifting political landscape of Rome, requiring strong classical acting and movement skills. "JULIUS CAESAR"

A large ensemble is needed to portray the shifting political landscape of Rome, requiring strong classical acting and movement skills. "JULIUS CAESAR"

A large ensemble is needed to portray the shifting political landscape of Rome, requiring strong classical acting and movement skills. "JULIUS CAESAR"

A large ensemble is needed to portray the shifting political landscape of Rome, requiring strong classical acting and movement skills. "JULIUS CAESAR"

A wealthy and generous Athenian nobleman who lavishes gifts upon his friends, only to be abandoned when he falls into financial ruin. His descent into bitterness and misanthropy forms the core of the play. Requires strong emotional depth and the ability to shift from warmth to rage. "TIMON OF ATHENS"

A cynical philosopher who scorns society’s greed and hypocrisy. He warns Timon about false friends but is dismissed. Witty, sharp-tongued, and sarcastic. Requires strong comedic timing and commanding delivery. "TIMON OF ATHENS"

Timon’s loyal steward, who remains devoted even after his master loses everything. The only truly honest character in Timon’s circle. Requires a heartfelt and sincere performance. "TIMON OF ATHENS"

A general of Athens who, after being wronged by the city, leads an army against it. Unlike Timon, he seeks justice rather than total destruction. A charismatic and authoritative presence is needed. "TIMON OF ATHENS"

Lucullus, Lucius, and Sempronius: wealthy Athenian lords who pretend to be Timon’s friends while he is rich but refuse to help him when he needs them. They embody the play’s theme of false friendship. Each requires strong character acting and distinct personality traits. "TIMON OF ATHENS"

Lucullus, Lucius, and Sempronius: wealthy Athenian lords who pretend to be Timon’s friends while he is rich but refuse to help him when he needs them. They embody the play’s theme of false friendship. Each requires strong character acting and distinct personality traits. "TIMON OF ATHENS"

Lucullus, Lucius, and Sempronius: wealthy Athenian lords who pretend to be Timon’s friends while he is rich but refuse to help him when he needs them. They embody the play’s theme of false friendship. Each requires strong character acting and distinct personality traits. "TIMON OF ATHENS"

A supposed friend of Timon who is bailed out of debt by him but later refuses to return the favor. A smaller but pivotal role showcasing ingratitude. "TIMON OF ATHENS"

Poet, Painter, and Jeweller: opportunistic artists and tradesmen who flatter Timon to gain his patronage. Provide moments of satire and dark comedy. Require strong comedic timing. "TIMON OF ATHENS"

Poet, Painter, and Jeweller: opportunistic artists and tradesmen who flatter Timon to gain his patronage. Provide moments of satire and dark comedy. Require strong comedic timing. "TIMON OF ATHENS"

Poet, Painter, and Jeweller: opportunistic artists and tradesmen who flatter Timon to gain his patronage. Provide moments of satire and dark comedy. Require strong comedic timing. "TIMON OF ATHENS"

Phrynia and Timandra: Courtesans who keep company with Alcibiades and represent the decadence of Athenian society. Confident, alluring, and manipulative. "TIMON OF ATHENS"

Phrynia and Timandra: Courtesans who keep company with Alcibiades and represent the decadence of Athenian society. Confident, alluring, and manipulative. "TIMON OF ATHENS"

Politicians who exploit Timon’s wealth but later fear Alcibiades’ wrath. Represent the corruption of the state. "TIMON OF ATHENS"

Desperate thieves who encounter Timon in the wilderness. Their interaction highlights the breakdown of social order. "TIMON OF ATHENS"

Ensemble. Bring the world of the play to life. Strong movement and ensemble work are required. "TIMON OF ATHENS"

Ensemble. Bring the world of the play to life. Strong movement and ensemble work are required. "TIMON OF ATHENS"

Ensemble. Bring the world of the play to life. Strong movement and ensemble work are required. "TIMON OF ATHENS"

Vocal Type: Mezzo-Soprano, Belt (G3–G5)
 A teenager with big dreams and an even bigger heart. She’s optimistic, determined, and passionate about dancing and fighting for racial equality. Needs strong comedic timing and excellent movement ability. "HAIRSPRAY"

Vocal Type: Baritone/Tenor (F3–G5, belt) Tracy’s loving but self-conscious mother. Traditionally played by a male in drag, Edna undergoes a transformation from shy laundress to confident businesswoman. Requires strong comedic timing and a warm presence. "HAIRSPRAY"

Vocal Type: Baritone (A3–A5)
 Tracy’s eccentric and supportive father. A joke-loving, big-hearted man who adores Edna and encourages Tracy’s dreams. Needs great chemistry with Edna. "HAIRSPRAY"

Vocal Type: Tenor (G2–A4)
 The teen heartthrob and lead dancer of The Corny Collins Show. Initially self-absorbed, he learns to stand up for what’s right. Charming and smooth, with strong vocals and dance ability. "HAIRSPRAY"

Vocal Type: Mezzo-Soprano, Belt (A3–G5)
 Tracy’s quirky, awkward best friend who is sheltered by her overbearing mother. She blossoms into a confident young woman through her relationship with Seaweed. Strong comedic timing is essential. "HAIRSPRAY"

Vocal Type: Mezzo-Soprano, Belt (A3–F5)
 The spoiled and snobby resident mean girl of The Corny Collins Show. She’s fiercely competitive and will do whatever it takes to stay in the spotlight. Needs a strong belt and excellent comedic timing. "HAIRSPRAY"

Vocal Type: Mezzo-Soprano, Belt (C4–E5)
 Amber’s manipulative and racist mother, who is the producer of The Corny Collins Show. A former beauty queen clinging to her past glory. Needs strong villainous energy and a powerful belt. "HAIRSPRAY"

Vocal Type: Tenor (F3–D5)
 A smooth, confident dancer and singer, Seaweed is the son of Motormouth Maybelle. He introduces Tracy to Black culture and becomes Penny’s love interest. Must be a strong dancer with charisma. "HAIRSPRAY"

Vocal Type: Alto (F3–E5)
 A bold and soulful record shop owner, Seaweed’s mother, and a leader in the fight for integration. She delivers the show-stopping anthem “I Know Where I’ve Been.” Needs a powerhouse voice with rich, gospel-like quality. "HAIRSPRAY"

Vocal Type: Tenor (C3–A4)
 The charming, charismatic host of The Corny Collins Show. He’s progressive, fun-loving, and supports racial integration. Needs strong stage presence and great vocals. "HAIRSPRAY"

Vocal Type: Mezzo-Soprano (B3–C5)
 Penny’s overbearing and ultra-conservative mother, who disapproves of her daughter’s choices. Often played by the same actress who doubles as the strict gym teacher and the prison matron. "HAIRSPRAY"

Ensemble. Strong singing and dancing ability required. "HAIRSPRAY"

Ensemble. Strong singing and dancing ability required. "HAIRSPRAY"

Ensemble. Strong singing and dancing ability required. "HAIRSPRAY"

Ensemble. Strong singing and dancing ability required. "HAIRSPRAY"

Ensemble. Strong singing and dancing ability required. "HAIRSPRAY"