Seeking Equity Performers for 2025 Season Shows

An American Broadway star. Fred Astaire in the original movie. A suave, charming, impulsive American gentleman. Seems like genuinely a great guy to hang out with. Baritone to F4. Exceptional dancer including tap. "TOP HAT"

An American society beauty. Ginger Rogers in the movie. Model for Alberto Beddini. Feisty, elegant, strong and yet with a romantic side. Alto mezzo and belt. Exceptional dancer including tap. "TOP HAT"

British theatre producer. Great friend of Jerry Travers. Older than Jerry. Nervous. Unintentionally very funny. Bass/Baritone (to E4) British accent. Comedic. Light mover. "TOP HAT"

Wealthy American wife of Horace., Dale's best friend. Brassy. Confident. Light-hearted. Alto, mover. "TOP HAT"

Horace’s personal valet. A curious character. Adorably uptight and judgmental. Currently feuding with Horace over Horace’s choice of tie. Group singing only. British accent. Comedic. Light mover. "TOP HAT"

Italian fashion designer. Beautifully put together. Very proud. Very eccentric. Very fond of Dale (his muse). Bariteno to G4. Mover. "TOP HAT"

The company's Head Secretary and Mr. Hart's Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious. Mezzo belter F3 to D5 "9 to 5"

A young, sexy spitfire who works at Mr. Hart's office. She is proof that there is more to a woman than just her looks. G3 to E5 Mezzo belter. "9 to 5"

The "new" girl at the firm, she has been burned by her husband's affair and is searching for personal empowerment. Insecure, determined, and hopeful. Ab3-F5 "9 to 5"

One of the firm's executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss. C3 to Gb4 "9 to 5"

The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval. Vocal range top: C5, Vocal range bottom: G3 "9 to 5"

A handsome, young office accountant. Genuine and nice, and smitten with Violet. Vocal range top: G4, Vocal range bottom: B2 "9 to 5"

Doralee's attractive husband. He is very supportive of her professional pursuits. Vocal range top: G4, Vocal range bottom: E2 "9 to 5"

Hart's wife, clueless to her husband's true nature. "9 to 5"

A young and vibrant secretary in Hart's office. Vocal range top: D5, Vocal range bottom: F4 "9 to 5"

Judy's soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago. "9 to 5"

A secretary in Hart's office with a tendency to gossip. Vocal range top: D5, Vocal range bottom: G4 "9 to 5"

A secretary in Hart's office with a tendency to drink. "9 to 5"

Franklin Hart's boss and Chairman of the Board. A good man, who may be wiser to Hart's ways than he lets on. "9 to 5"

(Range: Eb3-B4) – An established Broadway star. "42ND STREET"

(Range: Eb3-E5) – Young, talented and hopeful. Exceptional tap dancer with ballet training. "42ND STREET"

(Range: Ab3-Bb4) – Co-author of Pretty Lady. "42ND STREET"

(Range: Ab3-Bb4) – Chorus girl, sub-principal of Pretty Lady. Exceptional tap dancer with ballet. "42ND STREET"

(Range: D3-Ab4) – Broadway director/producer, handsome, dynamic. "42ND STREET"

(Range: C#3-A4) – Juvenile lead of Pretty Lady. Exceptional tap dancer. "42ND STREET"

(Range: C3-D4) – Co-author of Pretty Lady. Great song and dance man. "42ND STREET"

Piano player male. Does not need to play. "42ND STREET"

Dance director (Range: D3-Db4). Outstanding tap dancer. "42ND STREET"

Former vaudeville partner of Dorothy’s (Range: D3-Eb4). "42ND STREET"

“Angel” for Pretty Lady (Range: Gb3-D4), 60s plus. "42ND STREET"

A spritely, quick-tempered leader. He seeks to eliminate the Sharks and establish his own gang's dominance. Tony's best friend, he is eventually murdered by Bernardo. Vocal range top: G4, Vocal range bottom: Bb2, Excellent dancer. "WEST SIDE STORY"

A romantic young man and former leader of the Jets, he has found a new lifestyle now. Tony finds himself violently torn between his friendships and love. Falls in love to Maria and meets an untimely death. Genuinely sweet and sincere. Vocal range top: Bb4, Vocal range bottom: Bb2 "WEST SIDE STORY"

A proud, strong, handsome Puerto Rican man. Bernardo seeks to carve out territory as a sense of identity for he and his friends. Maria's brother and Anita's boyfriend. Leader of the Sharks. Vocal range top: Eb4, Vocal range bottom: Bb2, Excellent dancer "WEST SIDE STORY"

A hopeless romantic and innocent young girl. She falls in love with Tony and finds herself at the center of the violent conflict between the two gangs. Bernardo's sister. Puerto Rican. Vocal range top: C6, Vocal range bottom: Bb3, Strong mover/dancer. "WEST SIDE STORY"

Feisty and assertive. She dispenses "older sister" advice to Maria and tries to shield her from the dangers of the gangs. Bernardo's girlfriend and Maria's friend. Puerto Rican. Vocal range top: D5, Vocal range bottom: F3, Outstanding dancer. "WEST SIDE STORY"

An angry and, at times, naive Shark who turns murderous and vengeful. Suitor to Maria and friend of Bernardo's. Excellent dancer. "WEST SIDE STORY"

A spunky tomboy who is desperate to become a member of the Jets. The other Jets mock her for her ambitions but generally appreciate her company. Full of energy and heart. Excellent dancer. "WEST SIDE STORY"

The owner of the candy store where the Jets hang out. He tries to guide the Jets' youthful angst and provides a safe haven for Tony. Old fashioned and wise in his ways. "WEST SIDE STORY"

A local police detective frustrated by the ongoing violence between the Jets and Sharks. Blunt, brash, and unapologetic. "WEST SIDE STORY"

The local beat cop. He has no patience for the gang's conflict and tries to keep tensions from erupting between them. Regularly mocked by the local gangs. "WEST SIDE STORY"

Moderator of Gym dance. "WEST SIDE STORY"

Excellent guitar player. Sings. "BUDDY: THE BUDDY HOLLY STORY"

Excellent drummer. Sings. "BUDDY: THE BUDDY HOLLY STORY"

Plays Stand Up and electric Bass. Sings. "BUDDY: THE BUDDY HOLLY STORY"

Plays acoustic and electric guitar. Sings. "BUDDY: THE BUDDY HOLLY STORY"

Sings. Plays keyboard. "BUDDY: THE BUDDY HOLLY STORY"

Puerto Rican. Buddy girlfriend. Plays either Trumpet, trombone, Sax. "BUDDY: THE BUDDY HOLLY STORY"

Strong singer to sing Shout. Instruments a plus brass, drums or woodwind. "BUDDY: THE BUDDY HOLLY STORY"

Strong singer to sing Shout. Plays either a brass instrument, drums or woodwind. "BUDDY: THE BUDDY HOLLY STORY"

Sings Chantilly Lace. "BUDDY: THE BUDDY HOLLY STORY"

Instruments a plus. "BUDDY: THE BUDDY HOLLY STORY"

Mexican. Sings La Bamba and very strong mover. "BUDDY: THE BUDDY HOLLY STORY"

Instruments plus. "BUDDY: THE BUDDY HOLLY STORY"

You want Chris at your party. She will talk to people she doesn’t know, and things to say to all silences and generate laughter. Part of this is because Chris is at home in crowds, holding court, being the centre of attention. Without Chris in her life, Annie would be better behaved, her life less fun. The two of them are like naughty schoolgirls. Ideal car — who cares, as long as it’s a cabriolet. Ideal holiday — Algarve. "CALENDAR GIRLS"

Annie will join in mischief but is at heart more conformist and less confrontational than Chris. After Chris has put a waiter’s back up in the restaurant, Annie will go in and pour calm. The mischievousness Chris elicits saves Annie from being a saint. She has enough edge to be interesting, and enough salt not to be too sweet. Ideal car — who cares, as long as it’s reliable. Ideal holiday — walking in English countryside. "CALENDAR GIRLS"

Around 40. Cora’s past is the most eclectic, her horizons broadened by having gone to college. This caused a tectonic shift with her more parochial parents. She came back to them pregnant and tail-between-legs, but Cora has too much native resilience to be downtrodden. She is the joker in the pack, but never plays the fool. Her wit is deadpan. It raises laughter in others, but rarely in herself. Her relationship with her daughter is more akin to that between Chris and Annie. "CALENDAR GIRLS"

Get on the right side of Jessie as a teacher and she’ll be the teacher you remember for life. Get on the wrong side and you will regret every waking hour. A lover of life, Jessie doesn’t bother with cosmetics — her elixir of life is bravery. Jessie goes on rollercoasters. Her husband has been with her a long time and is rarely surprised by her actions. Jessie bothers about grammar and will correct stallholders regarding their abuse of the apostrophe “s”. "CALENDAR GIRLS"

The fact that Celia is in the WI is the greatest justification of its existence. A woman more at home in a department store than a church hall, she may be slightly younger than Chris or the same age, but she always feels like she’s drifted in from another world. Which she has. She is particularly enamoured of Jessie, and despite the fact Jessie has very little time for most Celias of this world, there is a rebelliousness in Celia to which Jessie responds. "CALENDAR GIRLS"

Ruth’s journey is from the false self-confidence of the emotionally abused to the genuine self confidence of the woman happy in her own skin. Ruth is eager to please but not a rag doll, and despite being Marie’s right-hand woman she is desperate to be the cartilage in the spine of the WI and keep everyone happy. She has spine herself — if she was too wet, no-one would want her around. "CALENDAR GIRLS"

Marie has gradually built the current ‘Marie’ around herself over the years as a defense mechanism. She went to her Oz, Cheshire, and found Oz didn’t want her. She came back scorched. The WI is a trophy to her, which justifies her entire existence. There is a lingering part of Marie that would love to be on that calendar. Ideal car — something German and well-valeted. "CALENDAR GIRLS"

Annie's husband. John is a human sunflower. Not a saint. Not a hero. Just the kind of man you’d want in your car when crossing America. When he dies it feels like someone somewhere turned a light off. "CALENDAR GIRLS"

Chris's husband. You have to be a certain kind of guy to stick with Chris and Rod loves it. He can give back what he gets, and has a deadpan humour which has always made Chris laugh. He drinks a lot but never so much as to have a problem. He would work every hour to make his shop a success. And John was his mate, even though the relationship was originally channeled through their wives. "CALENDAR GIRLS"

Hesitant without being nerdy, Lawrence is a shy young man with enough wit to make a joke and enough spirit to turn up at the WI hall in the first place. When he arranges the shots, he is close to female nudity but sees only the photo. "CALENDAR GIRLS"

Lady Cravenshire really doesn’t mean to be so patronizing. But the WI girls seem from another world. The world of her estate workers. Dress: when she makes an entrance, she must make an entrance. Largely white or cream to outplay the others, with a bigger hat than Marie. She is not a tweed-wearer. She must glide in like a galleon. "CALENDAR GIRLS"

Elaine really doesn’t mean to be so patronizing. But Jessie seems from another world. The world of her gran. Dress: her clinical whites slice through like a knife. You feel you could cut yourself on that dress. "CALENDAR GIRLS"

Liam would like to be directing other things than photoshoots for washing powders. He’s not so unprofessional as to let it show, but we can sense a slight weariness at having to deal with these women. There’s a resigned patience to his actions and each smile he makes we feel is professional. For Liam, this photoshoot is a job. And not the job he wanted. Dress: Avoid wearing shades inside a building. If you’ve gone down that route, you’ve made the weary boy a wideboy. "CALENDAR GIRLS"

80 y.o. "ON GOLDEN POND"

Wife of Norman, 70. "ON GOLDEN POND"

Local delivery mailman. "ON GOLDEN POND"

Attractive, divorce. "ON GOLDEN POND"

Chelsea's finance. Billy’s father. "ON GOLDEN POND"

Born a human but raised at the North Pole as a Christmas Elf, Buddy is eager to find his place in the world. He is a child at heart and that child-like curiosity makes him both endearing and gets him into trouble. Vocal range top: C5, Vocal range bottom: Ab2 "ELF"

Buddy's girlfriend. She works at Macy's and has a bit of a cynical outlook on life and love because of the men she's dated. She is caught off guard by Buddy's genuinely big heart. Vocal range top: D5, Vocal range bottom: G3 "ELF"

Buddy's workaholic father. He is a Children's book writer, but lacks any of the childlike spirit that Buddy has. He is selfish, tense, and generally angry with life. Vocal range top: G4, Vocal range bottom: A2 "ELF"

Walter's wife. Though she is sweet and willing to take him in, she thinks Buddy is crazy at first. Wishes her husband would spend more time with the family. Vocal range top: Eb5, Vocal range bottom: F3 "ELF"

Walter's secretary. Takes an instant liking to Buddy simply for the novelty of it. Though she aims to please and is a bit of a suck-up, she feels under appreciated. Vocal range top: Eb5, Vocal range bottom: D4 "ELF"

A heavy-set manager at Macy's. He is a good, friendly guy just trying to do his job and get by. Vocal range top: F#4, Vocal range bottom: B2 "ELF"

Walter's boss. He is what Walter will become if he continues down the path he is on. A tyrannical, workaholic who cares nothing about the people around him or who work for him. "ELF"

Just another workingman. Loves his job and Christmas but also likes to kick-back and watch the game when a rare opportunity arises. A natural storyteller. Vocal range top: E4, Vocal range bottom: A2 "ELF"

One of Walter's right-hand men. He is desperate to keep his job, and perhaps the dumber of the two. "ELF"

One of Walter's right-hand men. He is desperate to keep his job and is the schemer of the two. "ELF"