Performers Needed for 2025 Season Show

She is a vibrant force of nature whose passion draws people to her. While not street-wise, her boundless energy and lively spirit make her charmingly quick and agile. She captivates others with her singing talent and gift for words. Though she may sometimes lack decorum, her vibrant personality shines through. "Rooms: A Rock Romance"

Ian projects confidence and swagger that mask his deep insecurities. He comes across as cocky and sarcastic, but beneath this facade lies a vulnerable and frightened individual. With striking looks and a penchant for black jeans, Ian embodies an edgy, artistic spirit. Serious about his music. Despite his charm and wit, Ian often grapples with his darker, troubled side, navigating the complexities of youth and self-identity. "Rooms: A Rock Romance"

(Range: Tenor, G4E5) All-American, rock-star “greaser” student at Rydell High, whose real name is Clarence "Grease"

(Range: Ensemble/Part Flexible) A no-nonsense, serious, loud, English teacher "Grease"

Will double with another track (Range: Tenor, E4–F5)—Frenchy’s suave and slick guardian angel, who encourages her to stay in school. "Grease"

(Range: Mezzo Soprano) A no-nonsense, serious, loud English teacher. "Grease"

Seeking a small ensemble of performers who sing and move for this production. "Grease"

The epitome of the British Butler is very formal and in control. They have all the facts, including the character who pushes the story along at a very brisque pace! "CLUE: On Stage"

A sexy French maid [open to differing interpretations of this character!] The French accent is very much over the top! "CLUE: On Stage"

An ominous and frightening presence, she’s powerful and memorable. "CLUE: On Stage"

Mr. Boddy is very slick, polished, suave, confident and charming. "CLUE: On Stage"

Overbearing, pompous, a real military blowhard. "CLUE: On Stage"

A morbid, plays the tragedy all the time; pale, with veil. "CLUE: On Stage"

A wealthy, nutty, excessive, easily hysterical; covered with jewelry. "CLUE: On Stage"

He is filled with anxieties; prim & proper rule follower; timid. "CLUE: On Stage"

Officious academic, yet charming. Loves himself. "CLUE: On Stage"

Sardonic, a D.C madam; provocative, bold. "CLUE: On Stage"

"CLUE: On Stage"

"CLUE: On Stage"

"CLUE: On Stage"

"CLUE: On Stage"

A Texas housewife. She has a great sense of humor and a fiercely independent streak. She identifies with “Roseanne,” an earth-mother comedienne. "Honky Tonk Angels"

A young woman from the deep South. She is pretty, sweet, and simple. A young woman who grew up in a coal mining town in West Virginia and the Mississippi Delta. She plays a simple guitar. She also clogs (the mountain version of “tap dancing”). "Honky Tonk Angels"

A Los Angeles career woman. She is a “citified” country girl. Smart, very attractive, sexy, and frustrated, she dances, roller skates, and twirls baton (if possible). She also clogs. She should be a good dancer. "Honky Tonk Angels"

Commanding European dialect. Hugely sexy, magnetically handsome, rock star presence with a killer body, he is a narcissist whose greatest love is himself – and his leather pants. Bored with women falling all over him, he becomes obsessed with Lucy when he hears of her strength and adventurousness. The less she needs him, the more interested he is. He travels to Whitby to find her and make her his bride for eternity. "Dracula: A Comedy of Terrors"

RP British dialect. Prim and proper and obsessive-compulsive real estate agent, frightened of his own shadow. Engaged to his childhood crush, Lucy Westfeldt, and enamored of her fearlessness. Once bitten, he loosens up…a lot… and becomes a Tom Jones-style rock star in leather pants. "Dracula: A Comedy of Terrors"

RP British dialect. Brilliant, plucky earth scientist daughter of Dr. Westfeldt, she is full of energy and the spirit of adventure and often underestimated because of her beauty. Engaged to Jonathan, but when Dracula moves to Whitby, she is curious about his strange ways and impressed by their similar interests. "Dracula: A Comedy of Terrors"

RP British dialect. The less attractive, less intelligent Westfeldt’s daughter she lives in her sister Lucy’s shadow and is desperate for attention. She is immediately (pathetically) receptive to Dracula’s charms. "Dracula: A Comedy of Terrors"

RP British dialect. Lucy and Mina’s father, a blowhard, self-important misogynist given to proclamations and posturing with his pipe. A doctor caring for the criminally insane he has recently lost his wife to consumption. "Dracula: A Comedy of Terrors"

German dialect a la Mel Brooks. Brilliant and sturdy German vampire-hunting doctor from the University of Schmutz. Deadly serious in the way Germans can be, she is accustomed to people not believing she is a real doctor. Strong, shmart, unt bold, she is a woman of action. "Dracula: A Comedy of Terrors"

Cockney dialect and salivary issues. Insane patient of Dr. Westfeldt who lives to serve and loves to eat bugs. In a word, the dude is nuts. "Dracula: A Comedy of Terrors"

Cockney dialect. A dotty kleptomaniac patient of Dr. Westfeldt, she serves as a maid in his house. Think Mrs. Lovett but servile and easily distracted. "Dracula: A Comedy of Terrors"

Scottish dialect. Lucy’s suitor, a Scottish dolt. "Dracula: A Comedy of Terrors"

RP British dialect. Lucy’s suitor; posh, British, and petulant. "Dracula: A Comedy of Terrors"

Texas Accent. Lucy’s arrogant suitor from Memphis, a la Yosemite Sam. "Dracula: A Comedy of Terrors"

Eastern European or Russian dialect. The male Transylvanian driver of the carriage carrying Jonathan to Dracula’s castle who tries to warn him. Borat meets Boris and Natasha. "Dracula: A Comedy of Terrors"

Sea Captain dialect. The salty captain of a doomed ship caught in a raging storm. "Dracula: A Comedy of Terrors"

Irish dialect. A scurvy seaman who goes down with the ship in a storm. "Dracula: A Comedy of Terrors"

Cockney dialect. A drunk gravedigger with a secret. "Dracula: A Comedy of Terrors"

Winnie’s grandmother "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

The youngest of the Tuck family (Range: tenor, F3-C5) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

Jesse’s older brother (Range: tenor, F3-C5) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

Jesse’s mother (Range: soprano, A3-E5) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

Jesse’s father (Range: baritone, E3-B4) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

A nefarious leader of a traveling carnival, in search of the fountain of youth (Range: baritone, G3-B4) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

Head of the police force in Treegap (Range: baritone, F3-B4) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"

Constable Joe’s sidekick and son (Range: tenor, G3-C5) "TUCK EVERLASTING: THEATRE FOR YOUNG AUDIENCES EDITION"