Seeking Actors for Theatre's 2025 Season
Equity actors for roles in Theatre's 2025 Season (2nd half). ONLY LOCAL TALENT WILL BE CONSIDERED. See breakdown below. Rate: Dinner Theatre $735 weekly minimum Additional info: Actors who are racially, ethnically, and physically diverse, as well as, those inclusive of all gender identities, sexual orientations, and abilities are encouraged to audition. PREPARATION Please prepare two contrasting vocal selections; one up-tempo and one ballad. Bring your music in the correct key. A one-minute monologue may or may not be requested. Please bring an updated picture/resume. Bring dance clothes and your entire vocal book for potential dance call back at 6:00 PM. Potential Dance Callback - 2/17, 6 pm-8 pm An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "WAITRESS" Projected First Rehearsal: July 3rd, 2025 Opening: July 17th, 2025 Closing: August 31st, 2025 "HEARTBREAK HOTEL" Projected First Rehearsal: August 21st, 2025 Opening: September 4th, 2025 Closing: October 12th, 2025 "TOOTSIE" Projected First Rehearsal: October 2nd, 2025 Opening: October 16th, 2025 Closing: November 23rd, 2025 "A BEEF & BOARDS CHRISTMAS" Projected First Rehearsal: November 13th, 2025 Opening: November 28th, 2025 Closing: December 31st, 2025 "A CHRISTMAS CAROL" Projected First Rehearsal: November 28th, 2025 Opening: December 5th, 2025 Closing: December 22nd, 2025 If you are interested, please apply.
41 roles
(Female-presenting); A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her life paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Has a fantastic pop/rock voice with great range. "WAITRESS"
(Female-presenting); She's the youngest of the waitresses. Thick glasses, hair parted 14 centimeters to the left — eccentric is the nice way to say she’s slightly unusual, and not so slightly OCD. She sets the tables, painstakingly ensuring each salt and pepper-shaker is equidistant from the napkin holder. Has an excellent pop/rock/folk voice. "WAITRESS"
(Female-presenting); The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Has a soulful pop voice with an excellent pop belt. "WAITRESS"
(Male-presenting); Handsome, endearing, and neurotic. Has a warm, if clumsy, matter. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Has impeccable comedic timing and moves well. Has a very strong pop/rock tenor that can navigate the musical style of Sara Bareilles. "WAITRESS"
(Male-presenting); Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second and then turn into a sobbing mess the next. Actors auditioning for EARL should come prepared with a song in the vein of Elton John or a similar contemporary singer/songwriter. Guitar playing a big plus. "WAITRESS"
(Male-presenting); A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Has a strong pop/rock voice with great comedic chops. Has a strong contemporary baritone singing voice in the style of Sara Bareilles and has excellent comedic timing. "WAITRESS"
(Male-presenting) The King of Rock & Roll; Leading Man; Great singer/Guitar skills. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ mother and closest person in his life. Strong, Southern woman. Overly-doting on Elvis but doesn’t put up with any BS. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first producer. Outspoken, tough but sensitive Southern man. Had a true ear and passion for authentic music, especially “Rockabilly”. "HEARTBREAK HOTEL"
(Male-presenting) American blues singer who had a significant influence on the early development of Rock & Roll and R&B. "HEARTBREAK HOTEL"
(Male-presenting) One of Rock & Roll’s pioneering American disc jockeys. "HEARTBREAK HOTEL"
(Female-presenting) Record shop clerk who takes a liking to Kid Elvis, inviting him to her church and introducing him to gospel music. "HEARTBREAK HOTEL"
(Male-presenting) American singer and saxophonist known for recording first Rock & Roll hit. "HEARTBREAK HOTEL"
(Female-presenting) American singer, songwriter, and guitarist, who gained popularity with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar. "HEARTBREAK HOTEL"
(Female-presenting) Sam Phillips’ assistant and the first person credited for recording Elvis. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ wife and mother of their child, Lisa Marie. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ modest father who saved up to buy Elvis his first guitar. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first lead guitarist. Comedic. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first bass player. The yin to Scotty’s yang. D.J. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first drummer. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ co-star on Viva Las Vegas; bubbly Hollywood starlet. "HEARTBREAK HOTEL"
(Male-presenting); Michael is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and frustrated with career. Highly intelligent and desperate to act. Dorothy Michaels is strong-willed, understanding, and humorous. Slightly coy, slightly vain, and completely lovable. "TOOTSIE"
(Female-presenting); An actor at a crossroad in her life. Focused, self-aware and self-assured. She masks her pain and longs to connect. "TOOTSIE"
(Female-presenting); Michael's ex-girlfriend, now a friend. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She makes her anxieties known incredibly loudly and just wants to be happy. "TOOTSIE"
(Male-presenting); A self-obsessed actor with a limited wit. A firm believer in his own hype who can’t imagine anyone not being attracted to him. "TOOTSIE"
(Male-presenting); Michael's roommate. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason swirls just outside the eye of Michael's chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws – even his own. "TOOTSIE"
(Female-presenting); A level-headed producer. Experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. "TOOTSIE"
(Male-presenting); Michael’s overworked agent. Always to the point, he plays the game but hates it. "TOOTSIE"
(Male-presenting); An incredibly successful director. He demands respect and is often disrespectful in return. "TOOTSIE"
For a variety-style Holiday show. "A BEEF & BOARDS CHRISTMAS"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"