Equity Chorus Dancers and Singers for "White Christmas" Show
Equity chorus dancers & singers for roles in Irvin Berlin's "White Christmas". See breakdown below. Rate: LORT Non-Rep $807 weekly minimum (LORT D) until 6/30/25 $839 weekly minimum (LORT D) after 6/30/25 + health/pension/travel/lodging Additional info: Audition: Dancers - 9:30 AM (E) Singers - 3:00 PM (E) Audition lunch 12:00 PM - 1:00 PM AND 1:00 PM (E) PREPARATION: Singers: Please prepare a short song cut (16 bars or 30 seconds, or thereabouts) in the style of the score. Please also bring a hard-copy picture/resume. Dancers: Please come dressed to dance, with jazz shoes or heels. Please have your book available in case we need anyone to sing after they have danced. Please also bring a hardcopy picture/resume. First Rehearsal: 6/24 First Preview: 7/16 Opens: 7/18 Closes: 8/10 ECC Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. If you are interested, please apply.
22 roles
Army buddy of Bob and Phil’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. Baritone.
The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace. May double as SNORING MAN.
Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order. May double as ED SULLIVAN ANNOUNCER.
RITA AND RHODA – Bob and Phil’s two star chorus girls, they are brash, sexy, and fun, although perhaps not the smartest.
RITA AND RHODA – Bob and Phil’s two star chorus girls, they are brash, sexy, and fun, although perhaps not the smartest.
Bob and Phil’s extremely competent assistant. Can double as ASSISTANT SEAMSTRESS. ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
The proprietor of “Jimmy’s Back Room,” a none-too-classy nightclub. ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
Can double as SEAMSTRESS. ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
ENSEMBLE. Dancers who sing very well. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. To play various supporting characters who are generally early 20s-mid 30s. May understudy principal roles.
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