Equity Performers Wanted for 2025 Season Shows
Equity actors for roles in Theatre's 2025 Season. See breakdown below. Rate: LOA $460 weekly minimum (Ref. to LORT) - 2024 rates Additional info: Audition lunch 1:00 PM - 2:00 PM. PREPARATION Please prepare EITHER 16-bars of a song in the style of the show and a short monologue OR a short song in the style of the show OR two contrasting monologues. Please bring your music in your preferred key and clearly marked. Also bring your headshot and resume stapled together. An accompanist will be provided. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "CLUE" Travel Day: April 27, 2025 First Rehearsal: April 29, 2025 Opens: May 16, 2025 Closes: May 31, 2025 Travel Day: June 1, 2025 "BEAUTIFUL: THE CAROLE KING MUSICAL" Travel Day: June 8, 2025 First Rehearsal: June 10, 2025 Opens: June 27, 2025 Closes: July 12, 2025 Travel Day: July 13, 2025 "A CLOSER WALK WITH PATSY CLINE" Travel Day: August 10, 2025 First Rehearsal: August 12, 2025 Opens: August 29, 2025 Closes: September 13, 2025 Travel Day: September 14, 2025 "THE BURNT PART BOYS" Travel Day: September 28, 2025 First Rehearsal: September 30, 2025 Opens: October 17, 2025 *Please note, this production will have student matinees* Closes: November 1, 2025 Travel Day: November 2, 2025 "MISS BENNET: CHRISTMAS AT PEMBERLEY" Travel Day: November 9, 2025 First Rehearsal: November 11, 2025 Opens: November 29, 2025 Closes: December 13, 2025 Travel Day: December 14, 2025 If you are interested, please apply.
34 roles
(Male identifying) A traditional British butler in every sense: uptight, formal, and “by the book.” He is the driving force in the play. "CLUE"
(female identifying) A loyal and sexy, French Maid. "CLUE"
(female identifying) A dry, sardonic D.C. Madam, more interested in secrets than sex. "CLUE"
(female identifying) The wealthy wife of a Senator. A bit batty, neurotic, and quick to hysteria. "CLUE"
(female identifying) A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands. "CLUE"
(male identifying) A puffy, pompous, dense, blow-hard of a military man. "CLUE"
(male identifying) Arrogant, academic, and easily impressed by himself. "CLUE"
(male identifying) A timid, yet officious, rule follower. He’s awfully anxious. "CLUE"
THE COOK - A gruff woman with a threatening presence. (Alive and Dead). SINGING TELEGRAM GIRL - A tap dancer with a heart of gold. (Alive and Dead). *AUXILIARY SCARLET - The back of Miss Scarlet during a scene of theatrical trickery. "CLUE"
MR. BODDY – A slick, Frank Sinatra, film noir-esque type fella. (Alive and Dead). THE MOTORIST - A benign gentleman who rings the wrong doorbell. (Alive and Dead). CHIEF OF POLICE - A cop who helps to save the day. "CLUE"
THE “BROKEN DOWN COP” – A “Regular Joe.” (Alive and Dead). BACKUP COP – Backup for the chief. *AUXILIARY MUSTARD – The back of Colonel Mustard during a scene of theatrical trickery. "CLUE"
To play 16-29. Female identifying. An aspiring singer/songwriter. A unique, appealing, funny, and vulnerable girl from a Jewish family in Brooklyn. Talented, good-natured, unassuming, and often the peacemaker in difficult situations. A reluctant star with no pretense and a passion for music. Able to play the piano. "BEAUTIFUL: THE CAROLE KING MUSICAL"
To play late teens-late 20s. Baritone/tenor. Male identifying. Carole’s boyfriend, songwriting partner, and eventual husband. Innately sympathetic, wounded, and tortured. An ambitious artist always striving for more. "BEAUTIFUL: THE CAROLE KING MUSICAL"
To play late teens-late 20s. Strong belt. Female identifying. A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart; chic with a quick wit. Although self-confident and sarcastic, she is also extremely likable. "BEAUTIFUL: THE CAROLE KING MUSICAL"
To play late teens-late 20s. Male Identifying High rock tenor. A songwriter who becomes romantically involved with Cynthia. He is good-natured, appealing, neurotic. Ambitious, but likable. Piano & Guitar skill a plus. "BEAUTIFUL: THE CAROLE KING MUSICAL"
Male Identifying. This is a non-singing role. An influential music publisher and producer. He is a fast-talking, energetic force of nature. Powerful, direct; sometimes intimidating, but he has a real affinity for his writers and artists. A hitmaker. "BEAUTIFUL: THE CAROLE KING MUSICAL"
Female Identifying. Normally a Non-Singing Role. Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life; her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. "BEAUTIFUL: THE CAROLE KING MUSICAL"
LITTLE BIG MAN - COMIC (LBM)/OPRY COMIC VEGAS COMIC/CARNEGIE HALL COMIC - These characters may be played either by one actor, or a combination of actors. LITTEL BIG MAN: A mid-age southern, warm, friendly and funny small town disc jockey, does announcer gigs and comedy routines on the local scene as well. OPRY COMIC: Old country humor. VEGAS COMIC: Henny Youngman style of lounge comedy popular in Vegas showrooms of the 50’s and 60’s. CARNEGIE HALL COMIC. "A CLOSER WALK WITH PATSY CLINE"
She matures throughout the evening and is definitely able to handle a crowd with a song. Glamorous, down-to-earth, outspoken, loves to sing, generous, warm-hearted, with a gifted voice. "A CLOSER WALK WITH PATSY CLINE"
A Gospel quartet, they do back-up vocals for Patsy, singing commercials as well as their own spot in both acts. They tour with Patsy. "A CLOSER WALK WITH PATSY CLINE"
(18+ to play 13-16, Male Identifying) Jake's younger brother. Intense and very imaginative. He is skeptical of the coal mining industry. Curious and adventurous. Vocal range top: A5 Vocal range bottom: B2 "THE BURNT PART BOYS"
(Male Identifying) Pete's older brother who dropped out of school to work in the mines. He is constantly suppressing his anger. Cynical, conflicted, jaded, determined. Vocal range top: G#5 Vocal range bottom: C4 "THE BURNT PART BOYS"
(18+ to play 13-16, male identifying) Pete's best friend. A simple-minded teen who is weary of Pete's adventures. Generally amiable, loves to talk. Religious. Vocal range top: A6 Vocal range bottom: D4 "THE BURNT PART BOYS"
(Male identifying) Jake's best friend and co-worker in the mines. An outgoing guy, but a bit of a wise-ass. Stubborn, loyal. Vocal range top: D6 Vocal range bottom: D4 "THE BURNT PART BOYS"
(18+ to play 13-16, female identifying) A feisty runaway living in the hills. She has a dry wit and short temper. Brave, confident, controlling. Vocal range top: C6 Vocal range bottom: G3 "THE BURNT PART BOYS"
(Male identifying) Appears as Pete's "Alamo" fantasies (Sam Houston, Davy Crockett, Jim Bowie), and as his father in the mines. Vocal range top: A5 Vocal range bottom: B2 "THE BURNT PART BOYS"
A group of four men, ranging in age, who appear as ghosts in the coal mines. Vocal range top: A5 Vocal range bottom: E2. Looking for musicians for these roles. (Guitar, upright bass, banjo, fiddle, mandolin, lap-steel guitar) "THE BURNT PART BOYS"
(20, female identifying) Finally coming into her own, she is no longer the plain, boring girl she once was. She has a fire in her now. She is intelligent, curious, and lively, but her family only sees her as a future spinster. She does not suffer fools. She wants to live. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(25, male identifying) A studious, unsociable only child who has never been around women or large families. He is a loner who prefers books to people. He has recently inherited a large estate and has no idea what to do next. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(22, female identifying) married to Mr. Darcy. Confident, charming, and witty. She makes a fun and surprising lady of the house. She is best friends with her sister Jane. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(30, male identifying) A loving, generous, and smart (if slightly stiff) husband. He is quiet and vigilant and thus sees what others often miss. He knows what being lovelorn is like. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(24, female identifying) married to Mr. Bingley. She is seven months pregnant with her first child and is sweet and optimistic as ever. The kindest heart in the house. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(25, male identifying) Gracious, happy, and ever focused on the love of his life, Jane. A good friend and always ready with a smile. "MISS BENNET: CHRISTMAS AT PEMBERLEY"
(female identifying) Only daughter of the late Lady Catherine de Bourgh. Lived in her mother’s very large shadow, never having to ask for anything or speak for herself her entire life. Judgmental and impatient, just like her mother. "MISS BENNET: CHRISTMAS AT PEMBERLEY"