Performers Wanted for 2025 Season Show

Young boy, Treble/Boy Soprano (A5-C2-low C) The cute and cheeky son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents. Special Considerations: will need to speak in a British accent, be willing to possibly fly at some points in the show. "The Spongebob Musical"

Young girl, Soprano (F♯5/G♭5-A3) The high-spirited daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness. Special Considerations: will need to speak in a British accent, be willing to possibly fly at some points in the show. "The Spongebob Musical"

Baritone (G4-B2), dancer. The narrator of the story. He is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man. "The Spongebob Musical"

Soprano/Mezzo-Soprano (C6 Soprano C/High C-F#3/Gb3), dancer Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo/soprano with strong top notes, she should be able to move well and precision and diction is key. "The Spongebob Musical"

Baritone (E♭4-B♭2). The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding "precision and order" in his household, he is a pipe-and-slippers man who doesn't have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. A baritone, George may speak-sing as necessary. "The Spongebob Musical"

Mezzo-Soprano (D5-A3). George's wife and Jane and Michael's mother. A former actress, she is a loving and distracted homemaker who is busy trying to live up to her husband's desire to only associate with "the best people" as well as be the model wife and mother. She suffers from the conflicting feelings that she's not up to the job of "being Mrs. Banks," yet, she learns that she is, and more. She has great warmth and simplicity to her tone. "The Spongebob Musical"

Soprano (F5-F#3/Gb3). George's overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things - her way. Special considerations: will need to speak in a British accent; will need to move around in heels/character shoes. "The Spongebob Musical"

Alto (D#5/Eb5-A3). The housekeeper and cook for the Banks family. Overworked and harassed, she's always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of nannies in general and Mary Poppins in particular. "The Spongebob Musical"

Tenor (G#4/Ab4-F3). The houseboy to the Banks family. Lazy, sleepy, and grumbling, he never gets things right and believes himself to be useless. Special considerations: will need to speak in a British accent. "The Spongebob Musical"

Spoken role. A retired Royal Navy man and neighbor of the Banks family with a loud and booming voice. He speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Baritone The head of the bank where Mr. Banks is employed, is a stuffy and bossy man. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Spoken role The secretary to the Bank Chairman Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Spoken role Jane and Michael's nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Spoken role The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if it were her child. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Soprano. Owns a magical shop. She is a mysterious woman of great age who speaks with an accent. Special Considerations: will need to speak in a British accent; will need to be able to move around in heels/character shoes."The Spongebob Musical"

Spoken roles Daughters of Mrs. Corry; shopkeepers and helpers to their mother Special Considerations: will need to speak in a British accent; could possibly be featured dance roles "The Spongebob Musical"

Alto/tenor The statue of a young boy in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. Can be played by a male or a female. "The Spongebob Musical"

Tenor Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Alto (F#3/Gb3-F5) Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds which she tries to sell to passersby, who ignore her as if she doesn't exist. Sings "Feed the Birds." Special Considerations: will need to speak in a Cockney accent. "The Spongebob Musical"

Spoken part with solo A businessman (or woman) seeking a loan from the bank for a shady business deal. Special Considerations: will need to speak with a German accent. "The Spongebob Musical"

Spoken part with solo An honest businessman (or woman) seeking a loan to build a factory for his/her community. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

Spoken part. A doll come to life thanks to the magic of Mary Poppins. Valentine has been abused by the children and tries to teach them the importance of being kind and nice by leading the other toys and dolls in a dance and song. Special Considerations: will likely be a featured dance role. "The Spongebob Musical"

Spoken part A neighborhood fixture who is respected by and observant of households on his beat. Special Considerations: will need to speak in a British accent. "The Spongebob Musical"

(Range: Ensemble/Part Flexible); A strong no-nonsense, serious, loud English teacher who can command the room (for the most part). "Grease"

(Range: Ensemble/Part Flexible); This swarmy former greaser turned egotistical radio DJ has an inflated sense of self, and he thinks all eyes in the room are on him. Special considerations: despite his age, he hits on high school girls. "Grease"

(Range: Tenor, A3–C5); All of the latest hits are played on WAXX, and this singer performs the latest one, It’s Raining on Prom Night, as a duet with Sandy. Special considerations: while this is a “radio voice” this character will be on stage for the song and will be a part of the ensemble. "Grease"

"Grease"

A proud and talented pianist. A Black man who believes that he can take part in the new America and will be treated fairly. Special Considerations: Coalhouse uses and is called racial slurs, deals with racial violence and trauma, delivers trauma unto others, and fires a gun onstage. Staged, physical intimacy with Sarah including holding and kissing. (Vocal Range: G2 - A4, with a sustained high F#) "Ragtime"

Sarah is a young Black washwoman filled with a strong will to live, fueled by an innocent spirit. Falls deeply in love with Coalhouse after much resistance. Special Considerations: Sarah is called racial slurs, deals with racial violence and trauma, deals with the trauma of burying her child and leaving him to die, and is beaten onstage (though this will most likely be staged in silhouette). (Vocal Range: Lyric Soprano with strong mix, G#3 - F#5) "Ragtime"

The consummate wife and mother. A kind woman with incredible moral fiber. Refined, intelligent, graceful and open minded. Special Considerations: Mother finds a baby buried in the ground and must deal with that onstage. Staged, physical intimacy with Father, though nothing more than kisses on the cheek. (Vocal Range: Lyric Soprano / Mezzo with strong mix, G3 - F#5) "Ragtime"

Mother's professionally successful husband. Fancies himself an amateur explorer, he is commanding and stoic. Enjoys being the family breadwinner, a traditionalist. Special Considerations: Staged, physical intimacy with Mother, though nothing more than kisses on the cheek. (Vocal Range: Baritone, A2 - F4) "Ragtime"

Mother's younger brother. He is an erratic and passionate soul, a firework waiting to be lit. Influenced greatly by Goldman's teachings. (Vocal Range: Tenor / Baritone with strong top range, B2 - F#4) "Ragtime"

A Latvian and Jewish immigrant father. He wears the trials and tribulations of his past on his sleeve, but remains optimistic that he will be successful. Full of genuine drive and heart. He lives for his little daughter. Special Considerations: Tateh must deal with the attempted propositioning of his daughter onstage. Staged, physical violence. Eastern European / Latvian dialect. ( Vocal Range: Baritone / Tenor, Bb2 - F#4) "Ragtime"

Mother's patrician father. He is a retired professor, and easily irritated by nearly everything. Special Considerations: Grandfather makes racially sensitive and racist remarks. "Ragtime"

Passionate, soulful, sings the gospel number for Sarah's funeral. (Vocal Range: Gospel Lyric Soprano or Alto, low G to stratospheric scat top note) "Ragtime"

Lithuanian / Jewish immigrant, anarchist and social activist. Originally from Russia, she is a leader, a fearless advocate for the oppressed. Special Considerations: Emma must be able to deal with strong, communistic/socialistic political language and sing about lewd situations regarding Younger Brother. This character will possibly fly. (Vocal Range: Alto, low B3-D5) "Ragtime"

The famous magician, originally from Hungary. With notable physical ability, he stands as a symbol of the 'American Dream.' Special Considerations: This character will fly above the stage while “tied up” (though, obviously, very safely). (Hungarian; Vocal Range: Tenor, E3-G4) "Ragtime"

Beautiful vaudeville performer. Thrust into the limelight after the high profile murder of her lover, the entire world is her stage. Special Considerations: Evelyn is a sexualized young character and must present that physically and vocally. Additionally, this character will be scantily dressed in all her outfits. This character will fly above the stage on a swing. ( Vocal Range: Soprano / Belter, middle B3-D5) "Ragtime"

Irish-American fire chief who is racist and takes out his anger on Coalhouse. Special Considerations: The character of Willy makes racially charged and racist remarks. He uses the N-word, specifically. (Vocal Range: Tenor / Baritenor) "Ragtime"

Brilliant Black social activist. He is an eloquent and articulate gentleman with no patience for Black Americans leading less than exemplary lives. (Vocal Range: Baritone, D3-Eb4) "Ragtime"

Founder of the Ford Motor Company, and credited as a pioneer in making automobiles affordable for the middle-class. Featured singer. (Vocal Range: Baritone) "Ragtime"

An American financier and investment banker who dominated corporate finance on Wall Street throughout the Gilded Age and Progressive Era. "Ragtime"

American explorer and officer in the United States Navy who made several expeditions to the Arctic in the late 19th and early 20th centuries. "Ragtime"

First Mate to Admiral Peary who accompanied him to the North Pole. "Ragtime"

Immigrant. Houdini’s devoted and adoring Mother. "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

Ensemble "Ragtime"

A waitress at the “House of Class,” falls in love with Robbie while engaged to Glen. She dreams of marriage and true love. VOICE RANGE: G3-F5. Intimacy Requirements: Julia will be required to kiss Robbie, will be kissed by Glen, intimacy such as hand holding and closeness with Robbie and Glen, becomes inebriated after drinking too much, is verbally abused by Glen. Costume Description: wears dresses, skirts, leggings, heels, and possibly a wig. "The Wedding Singer"

Julia’s sexually driven cousin who has a reputation and doesn’t mind. She lives for the moment and wants to have fun, but is conflicted when she starts to fall for Sammy. VOICE RANGE: A3-E5. Intimacy Requirements: Holly - hyper-sexualized characterizations, uses vulgar and sexual language, scantily clad at times, sexual dancing (pole and cage dancing), intimacy such as holding hands and touching Robbie, Glen, and ensemble members, will be required to kiss Sammy and Robbie. "The Wedding Singer"

Robbie’s Grandmother, an old lady with a lot of spunk. VOICE RANGE: C4-C5. Intimacy Requirements: uses vulgar language. Costume Description: wears fake glasses, formal dresses, a workout outfit (leggings, tank top and a jacket), a night gown, and possibly a wig. "The Wedding Singer"

Robbie’s Fiancée who leaves him at the altar, a hard core Rocker Chick who loves to be in the spotlight. VOICE RANGE: A3-D5. Intimacy Requirements: Linda - hyper-sexualized characterizations, will be scantily clad and moving/dancing provocatively, will fondle Robbie’s shoulders, chest and legs. Costume Description: wears revealing clothing, similar to a bikini on stage; wears fishnets, heels, a corset like top, a bikini bottom, and a wig. "The Wedding Singer"

Julia’s mother, is pushing her to marry Glen for his money and the security it would bring her. VOICE RANGE: D4-E5. Costume Description: wears 80s mom jeans, sweaters, a formal dress, possibly heels, and possibly a wig. "The Wedding Singer"

The Wedding Singer, a loveable hopeless romantic that has a zest for life, music, and love. He loses his spark when he’s left at the altar, but falls in love with Julia and has to discover who he needs to become in order to be “worthy” of the love he so desperately wants. VOICE RANGE: B3-C6. Note: EXPERIENCE PLAYING GUITAR IS A PLUS! "The Wedding Singer"

Robbie’s best friend, plays guitar in the band, and has a major thing for Holly. He’s silly, fun, and slightly dumb. VOICE RANGE: C4-A5. Intimacy Requirements: Sammy - vulgar and sexual language, aggressive flirting, and will be required to kiss Holly Costume Description: wears tux outfit, tight faux leather pants, a tank top, a kippah (Jewish head covering), leather jacket, and possibly a wig. "The Wedding Singer"

(trans or male)- A “Boy George” wannabe, plays many different instruments and even sings with the band. Sammy and Robbie’s best friend and an ethereal soul. VOICE RANGE: C4-A5 Intimacy Requirements: George must be comfortable being overly flamboyant and flirts with both men and women throughout the show, vulgar, and sexual language. "The Wedding Singer"

Julia’s fiancée, very pompous and conceited, really REALLY likes women, especially those that aren’t his own fiancé. Wall Street man who is all about that green. VOICE RANGE: D4-B5. Intimacy Requirements: Glen will be depicting abusive behavior towards Julia and some ensemble members, sexualized characterizations including flirting and intimacy with touch with other ensemble members plus Julia, uses physical violence against Robbie, vulgar, and sexual language. "The Wedding Singer"

The first newly married couple, have a dance duet "The Wedding Singer"

A drunk best man at a wedding "The Wedding Singer"

The confused preside at Robbie & Linda’s wedding "The Wedding Singer"

Friends of Julia’s who get engaged before her "The Wedding Singer"

A couple who get engaged "The Wedding Singer"

A newly married couple at their reception that Robbie destroys "The Wedding Singer"

Donatella’s father who gets mad at Robbie "The Wedding Singer"

A casualty of love "The Wedding Singer"

A casualty of love "The Wedding Singer"

A casualty of love "The Wedding Singer"

A casualty of love "The Wedding Singer"

Helps Julia shop for her wedding registry "The Wedding Singer"

Bartender "The Wedding Singer"

Patron at the Bar "The Wedding Singer"

A smart business woman among power hungry men "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

Vegas Impersonator "The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

"The Wedding Singer"

Young boy, Treble/Boy Soprano (A5-C2-low C) The cute and cheeky son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents. Special Considerations: will need to speak in a British accent, be willing to possibly fly at some points in the show "Disney's Mary Poppins"

Young girl, Soprano (F♯5/G♭5-A3) The high-spirited daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness. Special Considerations: will need to speak in a British accent, be willing to possibly fly at some points in the show "Disney's Mary Poppins"

Baritone (G4-B2), dancer The narrator of the story. He is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man. "Disney's Mary Poppins"

Soprano/Mezzo-Soprano (C6 Soprano C/High C-F#3/Gb3), dancer Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo/soprano with strong top notes, she should be able to move well and precision and diction is key. "Disney's Mary Poppins"

Baritone (E♭4-B♭2) The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding "precision and order" in his household, he is a pipe-and-slippers man who doesn't have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. "Disney's Mary Poppins"

Mezzo-Soprano (D5-A3) George's wife and Jane and Michael's mother. A former actress, she is a loving and distracted homemaker who is busy trying to live up to her husband's desire to only associate with "the best people" as well as be the model wife and mother. She suffers from the conflicting feelings that she's not up to the job of "being "Disney's Mary Poppins"

Soprano (F5-F#3/Gb3) George's overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things - her way. Special considerations: will need to speak in a British accent; will need to move around in heels/character shoes. "Disney's Mary Poppins"

Alto (D#5/Eb5-A3) The housekeeper and cook for the Banks family. Overworked and harassed, she's always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of nannies in general and Mary Poppins in particular. Special considerations: will need to speak in a British accent; will need to move around in heels/character shoes. "Disney's Mary Poppins"

Tenor (G#4/Ab4-F3). The houseboy to the Banks family. Lazy, sleepy, and grumbling, he never gets things right and believes himself to be useless. Special considerations: will need to speak in a British accent "Disney's Mary Poppins"

Spoken role A retired Royal Navy man and neighbor of the Banks family with a loud and booming voice. He speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Baritone The head of the bank where Mr. Banks is employed, is a stuffy and bossy man. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Spoken role The secretary to the Bank Chairman Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Spoken role Jane and Michael's nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Spoken role The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if it were her child. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Soprano Owns a magical shop. She is a mysterious woman of great age who speaks with an accent. Special Considerations: will need to speak in a British accent; will need to be able to move around in heels/character shoes "Disney's Mary Poppins"

Spoken roles Daughters of Mrs. Corry; shopkeepers and helpers to their mother Special Considerations: will need to speak in a British accent; could possibly be featured dance roles "Disney's Mary Poppins"

Alto/tenor The statue of a young boy in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. Can be played by a male or a female. "Disney's Mary Poppins"

Tenor. Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Alto (F#3/Gb3-F5) Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds which she tries to sell to passersby, who ignore her as if she doesn't exist. Sings "Feed the Birds." Special Considerations: will need to speak in a Cockney accent "Disney's Mary Poppins"

Spoken part with solo A businessman (or woman) seeking a loan from the bank for a shady business deal. Special Considerations: will need to speak with a German accent "Disney's Mary Poppins"

Spoken part with solo An honest businessman (or woman) seeking a loan to build a factory for his/her community. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"

Spoken part A doll come to life thanks to the magic of Mary Poppins. Valentine has been abused by the children and tries to teach them the importance of being kind and nice by leading the other toys and dolls in a dance and song. Special Considerations: will likely be a featured dance role. "Disney's Mary Poppins"

Spoken part A neighborhood fixture who is respected by and observant of households on his beat. Special Considerations: will need to speak in a British accent "Disney's Mary Poppins"