Seeking Singers for "Catch Me If You Can" Musical Show
The company is holding auditions for "Catch Me If You Can" the Musical and looking for performers, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: Based on the hit Steven Spielberg film and the incredible true story, Catch Me If You Can is the high-flying musical comedy about chasing your dreams and not getting caught. Nominated for four Tony awards, including Best Musical, this delightfully entertaining show was created by a Tony Award-winning "dream team," with a book by Terrence McNally (The Full Monty, Ragtime) and a swinging score by Marc Shaiman and Scott Wittman (Hairspray). Additional info: Date: November 14 - December 7, 2025 Callbacks by Invitation and will include a dance audition. Be prepared for movement and choreography. Monday, February 17, 2025 from 7-10pm Sides/Music Provided Non-AEA/Small travel reimbursement. Please prepare 24 to 32 bars of a musical theatre or appropriate song from the period of the show (mid 1950’s/early 1960’s) that shows your range and acting ability. Please bring sheet music. No backing tracks or instrumental tracks allowed. Bring headshot and resume if available. Whatever COVID requirements are at the time of auditions will be followed. Please apply if interested.
25 roles
Our story’s conniving protagonist, he is a handsome and youthful con artist. Grew up learning to disappear into another skin to avoid his problems. He eventually falls in love with Brenda and desperately tries to change his ways. Bobby Darin meets Danny Ocean. Vocal range top: C5 Vocal range bottom: G2
An FBI agent leading the investigation and search for Frank Jr.; a knowledgeable but frantic workaholic who idolizes the moment he catches his perp. A singing and dancing Joe Friday from the TV show Dragnet mixed in with a little Bob Newhart. Vocal range top: G4 Vocal range bottom: G2
Frank Jr.’s father. He is an inspiration when it comes to swindling. Upbeat and fast-talking, he undergoes a series of progressive failures that leaves him a miserable drunk. Think Frank Sinatra, Dean Martin, Sammy Davis Jr. Vocal range top: G#4 Vocal range bottom: F2
Frank Jr.’s gorgeous mother. She met Frank Sr. in France, during the war, but has fallen out of love. Caring and loving, with an underlying resentment toward her husband and son. Continental, French New Wave heroine like Catherine Deneuve. Vocal range top: C5 Vocal range bottom: A3
A young nurse and Frank Jr.’s eventual love interest. Hard-working and initially insecure, she meets Frank Jr. after running away from a wedding. Comes to trust him but his true identity clouds her feelings. Think a young Ann Margaret or Shelly Fabares. Vocal range top: A5 Vocal range bottom: G3
Brenda’s traditional mother. She is talkative and boisterous. A little Carol Burnett, a little Bette Midler. Tap dance a plus. All ethnicities. Also doubles ensemble. Vocal range top: A5 Vocal range bottom: Bb3
Brenda’s conservative southern father. He is stern and interrogatory, but reveals himself to be deeply romantic. Think Pat Boone or Mitch Miller. All ethnicities. Also doubles ensemble. Vocal range top: A4 Vocal range bottom: A2
A seasoned FBI agent in the fraud division. A regular guy punching a time clock. No special passion about his work. All ethnicities. Also doubles ensemble.
FBI agent in the fraud division. A smart- ass. All ethnicities. Also doubles ensemble.
A rookie FBI agent in the fraud division. Fresh out of college and new on the job. All ethnicities. Also doubles ensemble.
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