Singer Needed for Gig "The Producers"
Looking to cast male and female talent for "The Producers" show. Find other details below. ONLY LOCLA TALENT WILL BE CONSIDERED. About the project: The Producers is a hilarious musical comedy based on the 1967 film of the same name. It tells the story of Max Bialystock, a down-on-his-luck Broadway producer, and Leo Bloom, a timid accountant with fantasies of a life in show biz. Together they hatch a scheme to produce the worst musical ever, and make a fortune by intentionally failing. The Producers is a satirical comedy that makes fun of a variety of topics, including Nazis, ethnic stereotypes, and offensive language. While it is intended to be humorous and provocative, it is important to note that it may contain content that some may find offensive, sexist, racist, or misogynistic. The use of such material is strictly for comedic effect and should not be taken seriously. Additional info: Performances: April 18, 19, 25, 26, 27, May 2, 3, 4, 9, 10; If you have conflicts for the callback date be sure to note this on your form and speak to one of the staff present before leaving auditions! • You'll soon be called into the rehearsal hall where you can drop your things and await your turn to present your audition piece. Your sign-up time determines whether you will sing rather than dance or dance rather than sing. • When you are called up please bring your music to the accompanist and review any points of interest. • When you're ready, take the center and announce your name, number, the name of the song, and the show it is from (if you know the character throw that in too!). • Directors may have you go through your entire piece or stop you after 16-32 measures. Directors may also ask you to repeat some of it with some change in direction. • You should have received a sheet with quotes from the character(s) you are auditioning for. Please select two or three that resonate with you. • After all have sung, they will have groups come up and go through their selections in a round-robin style. Directors are looking for a bit of character in the brief presentations. If you are interested, please apply.
38 roles
A flamboyant, ambitious, unscrupulous, Broadway producer having a long run of bad luck. Max can be brash, cunning, charming, and often manipulative as he tries to pull off his outrageous schemes. He has a larger-than-life personality and is desperate to reclaim his former glory Strong comedic timing, charisma, confidence and a commanding stage presence. Must be able to portray a range of emotions from desperation to elation. Tenor / Baritone Light dance
A timid, neurotic accountant who dreams of Broadway success. He's a bit of a worrier and often feels overwhelmed. Despite his anxieties, he has a sharp wit and a hidden passion for the theater. Leo becomes Max's reluctant partner in crime and undergoes a transformation throughout the story. Tenor Light dance Some Ballroom
A naïve, idealistic, passionate, eccentric German playwright who has written a controversial musical about Hitler. He is both comical and intense, with a deep devotion to his work and a quirky personality. He's a bit of a dreamer and can be easily manipulated. Raises pigeons. Baritone Light Folk dance
A flamboyant, over-the-top Broadway director known for his extravagant style. He is confident, dramatic and embraces his theatricality. Loves to be the center of attention. Roger has a knack for creating outrageous and ridiculous productions Strong stage presence with an ability to command attention, excellent comedic timing and delivery, ability to portray the flamboyance and confidence of a very gay Broadway director. Eccentric, dramatic, flamboyant, creative. Baritone Light dance
Roger’s loyal and flamboyant assistant, who shares in his dramatic flair. Carmen is witty, sassy and adds a humorous dynamic to the duo. He is supportive of Roger's grand visions while also being a character in his own right. Strong comedic timing, ability to portray sass and wit. Must have a strong stage presence. Tenor Light dance
A blonde Swedish bombshell showgirl who serves as Leo & Max's secretary. She's beautiful, naive, and has a strong accent. Ulla is often used as a comedic device but proves herself to be charming and bold, and knows how to use her looks and personality to her advantage. Ulla embodies the classic showgirl persona with a modern twist. She and Leo end up together. Mezzo-Soprano Dancer Ballroom Tap
Ensemble Solo moments that greet us each time we visit the Shubert Theatre Mezzo-Soprano
Ensemble Theatregoers dressed to the 9s. Mix
Ensemble New Yorkers. Mix
Ensemble New Yorkers. Mix
Ensemble New Yorkers. Mix
Ensemble New Yorkers. Mix
Ensemble New Yorkers. Mix
Ensemble New Yorkers. Mix
Ensemble Solo lines at the Shubert Theatre Spoken
Ensemble Script calls for 6; script calls for 1 black man for solo line in song 6; Mixx
Ensemble Leo’s boss, with lines in 2 short scenes Spoken
Ensemble First seen in Leo’s Broadway fantasy of being a Producer Mix
Ensemble Six pigeon puppets that will be worked by available Ensemble members N/A
Ensemble Roger’s team - solo lines and highlighted moments, flirtatious innuendos, light touching) (Set designer)
Ensemble Roger’s team - solo lines and highlighted moments, flirtatious innuendos, light touching) (Costumer)
Ensemble Roger’s team - solo lines and highlighted moments, flirtatious innuendos, light touching) (Choreographer)
Ensemble Roger’s team - solo lines and highlighted moments, flirtatious innuendos, light touching) (Lighting)
Ensemble Roger’s team - solo lines and highlighted moments, flirtatious innuendos, light touching) (Houseboy) Tenor, Baritone, Tenor, Alto
Ensemble Village People. Mix
Ensemble Village People. Mix
Ensemble Village People. Mix Joins in on a conga line
Ensemble Jack, Donald and Jason all have cameo moments auditioning for “Springtime…” Tenors
Ensemble Highlighted singing at top of “Springtime…” Tenor
Ensemble Singers and Dancers in “Springtime” Mix
Ensemble Sgt. O’Rilely, O’Houllihan - Come to arrest Max & Leo – lines in the scene Spoken
Ensemble Lines in the scene with Max in the holding cell Spoken
Ensemble Lines in the scene for Max’s trial Spoken
Ensemble Lines in the scene for Max’s trial Spoken
Ensemble Lines in the scene in Sing Sing Spoken
Ensemble Singers for the rehearsal of “Prisoners in Love”, and subsequent Broadway show Mix
Ensemble Singers in the Broadway version of “Prisoners in Love” Mix
Ensemble All Ensemble will portray singing Little Old Ladies. Looking for 3 additional mature actors for the Little Old Ladies named in the script: Hold Me -Touch; Kiss Me – Feel Me; Lick Me – Bite Me. These 3 have lines in scenes with Max and will also be in some other production numbers and scenes playing theatregoers, accountants, and others. Mezzo-Soprano
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