Casting Actors for 2025 Season Shows
Seeking AEA/Non-union actors for 2025 Season who are racially, ethnically, and physically diverse, as well as, of all gender identities, sexual orientations, and abilities. Please see the details below. Rate: $450.00 – $750.00 per week. Additional info: Auditions: sign-up begins 8 AM, auditions from 9 AM - 5 PM (lunch 1 PM) WHAT TO PREPARE Please bring a headshot/resume along with a 16/32-bar cut of your best song. Pianist will be provided. There will be a dance callback at 5 PM on the day of the audition. "MURDER ON THE ORIENT EXPRESS" Projected First Rehearsal: December 27th, 2024 Opening: January 9th, 2025 Closing: February 9th, 2025 "JERSEY BOYS" Projected First Rehearsal: January 27th, 2025 Opening: February 14th, 2025 Closing: April 13th, 2024 "CHURCH BASEMENT LADIES" Projected First Rehearsal: April 3rd, 2025 Opening: April 17th, 2025 Closing: May18th, 2025 "DISNEY’S THE LITTLE MERMAID" Projected First Rehearsal: May 8th, 2025 Opening: May 22nd, 2025 Closing: July 13th, 2025 "WAITRESS" Projected First Rehearsal: July 3rd, 2025 Opening: July 17th, 2025 Closing: August 31st, 2025 "HEARTBREAK HOTEL" Projected First Rehearsal: August 21st, 2025 Opening: September 4th, 2025 Closing: October 12th, 2025 "TOOTSIE" Projected First Rehearsal: October 2nd, 2025 Opening: October 16th, 2025 Closing: November 23rd, 2025 "A BEEF & BOARDS CHRISTMAS" Projected First Rehearsal: November 13th, 2025 Opening: November 28th, 2025 Closing: December 31st, 2025 If you are interested, please apply.
74 roles
(Female-presenting, Dialect – Hungarian) Dressed to the nines in furs and diamonds. Her hair and makeup are impeccable, and she has a warm smile that wins you over immediately. She is out of a fairy-tale. In addition to being a Countess, she is a doctor. Matches Poirot in intelligence. "MURDER ON THE ORIENT EXPRESS"
(Male-presenting, Dialect – Scottish) Scotsman, very matter of fact. Having an affair with Mary. Military man, possibly from old money. Charismatic, but has some problematic views and a temper. Has good comedic timing. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
OFFER PENDING. "MURDER ON THE ORIENT EXPRESS"
(Male-presenting) Must have a strong tenor with sweet and strong falsetto and be able to sing in the style of Frankie Valli; strong tenor to high A or Bb plus strong falsetto up to treble G; charismatic and charming; must be a very strong actor and have a gritty side as well as a polished veneer; must be very comfortable with four-part harmonies. "JERSEY BOYS"
(Male-presenting) Strong bass/baritone voice, must be very comfortable with traditional four-part harmonies; a quiet dreamer who longs for life after The Four Seasons; understated with a dead-pan quality. "JERSEY BOYS"
(Male-presenting) Strong tenor/baritone voice; must be very comfortable with traditional four-part harmonies; an intelligent, sensitive, and introspective musical prodigy. "JERSEY BOYS"
(Male-presenting) Tough, Mafioso type; must be a strong character actor and strong singer. "JERSEY BOYS"
(Male-presenting) Intelligent and flamboyant; genius music producer and lyricist; an integral part of creating the magic of The Four Seasons. "JERSEY BOYS"
(Male-presenting) Young, energetic and funny; must be a good actor and a strong singer. Will also play various roles. May cover Frankie. "JERSEY BOYS"
(Male-presenting) Strong actor and singer to play various roles (friends, producers, etc.); strong tenor to high C; with a strong falsetto to G above high C; Has the ability to riff in rhythm-and blues style. "JERSEY BOYS"
(Male-presenting) Owns a private money lending agency; strong actor/singer to play various roles; strong tenor/bari-tenor voice. "JERSEY BOYS"
(Female-presenting) Frankie’s wife; tough, “Seen it all”, Italian, Jersey girl; she’s got a killer sense of humor; actor also plays a variety of other roles including member of a 60’s style girl group; Good dancer. "JERSEY BOYS"
(Female-presenting) Frankie’s girlfriend; educated; not from Jersey; a reach career girl; young Diane Sawyer; actor also plays a variety of other roles, including member of a 60’s style girl group and tough-as-nails Jersey girl. Good dancer. "JERSEY BOYS"
(Female-presenting) Frankie’s daughter; deeply loved by Frankie. She’s a Jersey girl—vulnerable, lost and acts out to make up for lack of attention from her dad. Actor also plays a variety of other roles including a member of a 60’s style girl group and a tough-as-nails Jersey girl. Good dancer. "JERSEY BOYS"
OFFER PENDING. "JERSEY BOYS"
OFFER PENDING. "CHURCH BASEMENT LADIES"
OFFER PENDING. "CHURCH BASEMENT LADIES"
OFFER PENDING. "CHURCH BASEMENT LADIES"
OFFER PENDING. "CHURCH BASEMENT LADIES"
OFFER PENDING. "CHURCH BASEMENT LADIES"
(Male-presenting) Tenor. A human monarch who has no interest in taking the crown. A handsome, affable lad with a buoyant, adventurous nature. After Ariel saves his life, he becomes obsessed with finding her and hearing her voice once more. Excellent singer. Strong mover. "THE LITTLE MERMAID"
(Female-presenting) Mezzo with Broadway Belt. The banished Sea Witch and sister of King Triton. Supposedly spurned at childhood, she will use whatever method necessary to steal the kingdom and claim it as her own. Funny, vampy, but malevolent, calculating, and deceptive. "THE LITTLE MERMAID"
(Male-presenting) Baritone. King of the Sea and Ariel's father. Beneath his imposing presence and commanding nature lurks a harried single father who will do anything to protect his daughters. The death of his wife has also given him an irrational fear of humans. "THE LITTLE MERMAID"
Tenor. Ariel’s best friend and loyal companion. Tends to panic in stressful situations. Strong mover and singer. "THE LITTLE MERMAID"
Tenor. A disheveled seagull and expert in human artifacts. Bumbling and forgetful but has a heart of gold. Funny, loudmouthed, optimistic, and a bit ignorant, despite their supposed expertise. Strong tap dancer. Strong singer. "THE LITTLE MERMAID"
FLOTSAM & JETSAM: High Tenor and Baritone. Eels and Ursula's lackeys. Oily and spineless, they will say anything you want or need to hear. Must be comfortable on heelys or willing to learn. "THE LITTLE MERMAID"
FLOTSAM & JETSAM: High Tenor and Baritone. Eels and Ursula's lackeys. Oily and spineless, they will say anything you want or need to hear. Must be comfortable on heelys or willing to learn. "THE LITTLE MERMAID"
(Male-presenting) Tenor. The French palace chef, diabolical and violent. A culinary perfectionist with an affinity for blades; seafood in particular. Lots of physical comedy and featured comic singing. Great comedic timing. "THE LITTLE MERMAID"
OFFER PENDING. "THE LITTLE MERMAID"
OFFER PENDING. "THE LITTLE MERMAID"
OFFER PENDING. "THE LITTLE MERMAID"
(Female-presenting); A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her life paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Must have a fantastic pop/rock voice with great range. "WAITRESS"
(Female-presenting); She's the youngest of the waitresses. Thick glasses, hair parted 14 centimeters to the left — eccentric is the nice way to say she’s slightly unusual, and not so slightly OCD. She sets the tables, painstakingly ensuring each salt and pepper-shaker is equidistant from the napkin holder. Must have an excellent pop/rock/folk voice. "WAITRESS"
(Female-presenting); The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Must have a soulful pop voice with an excellent pop belt. "WAITRESS"
(Male-presenting); Handsome, endearing, and neurotic. Has a warm, if clumsy, matter. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Must have impeccable comedic timing and must move well. Should have a very strong pop/rock tenor that can navigate the musical style of Sara Bareilles with ease. "WAITRESS"
(Male-presenting); Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second. Actors auditioning for EARL would need to come prepared with a song in the vein of Elton John or a similar contemporary singer/songwriter. Guitar playing a big plus. "WAITRESS"
(Male-presenting); Strange, yet oddly lovable. Becomes slightly obsessed with Dawn (in a hilarious yet endearing way) after she goes on a 5-minute date with him. Quirky, incredibly persistent, and odd, yet kind. Should have excellent comedic timing and must have an excellent pop/rock tenor voice. "WAITRESS"
(Male-presenting); The owner of the diner where Jenna, Dawn, Becky, and Cal work. A seemingly old, curmudgeonly man who has a soft spot for Jenna (and her pie), but picks when that warmth allows itself to be shown. A sarcastically funny and no-nonsense guy with a keen ability to read people. Very funny. "WAITRESS"
(Male-presenting); A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Should have a strong pop/rock voice with great comedic chops. Must have a strong contemporary baritone singing voice in the style of Sara Bareilles and have excellent comedic timing. "WAITRESS"
(Male-presenting) The King of Rock & Roll; Leading Man; Great singer/Guitar skills. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ mother and closest person in his life. Strong, Southern woman. Overly-doting on Elvis but doesn’t put up with any BS. Strong Actress. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ unscrupulous manager. Driven purely by profit. Cigar-smoking, a big presence, former carnival barker and con-artist. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first producer. Outspoken, tough but sensitive Southern man. Had a true ear and passion for authentic music, especially “Rockabilly”. Strong actor. "HEARTBREAK HOTEL"
(Male-presenting) American blues singer who had a significant influence on the early development of Rock & Roll and R&B. "HEARTBREAK HOTEL"
(Male-presenting) One of Rock & Roll’s pioneering American disc jockeys. "HEARTBREAK HOTEL"
(Female-presenting) Record shop clerk who takes a liking to Kid Elvis, inviting him to her church and introducing him to gospel music. "HEARTBREAK HOTEL"
(Male-presenting) American singer and saxophonist known for recording first Rock & Roll hit. "HEARTBREAK HOTEL"
(Female-presenting) American singer, songwriter, and guitarist, who gained popularity with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar. "HEARTBREAK HOTEL"
(Female-presenting) Sam Phillips’ assistant and the first person credited for recording Elvis. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ wife and mother of their child, Lisa Marie. Strong Actor. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ modest father who saved up to buy Elvis his first guitar. Strong actor. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first lead guitarist. Also should be a good comedic actor. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first bass player. The yin to Scotty’s yang. "HEARTBREAK HOTEL"
(Male-presenting) Elvis’ first drummer. "HEARTBREAK HOTEL"
(Female-presenting) Elvis’ co-star on Viva Las Vegas; bubbly Hollywood starlet. "HEARTBREAK HOTEL"
(Male-presenting); Michael is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and frustrated at where his career hasn’t taken him. Highly intelligent and desperate to do the one thing he loves more than life itself… act. Dorothy Michaels is strong-willed, understanding, and humorous. Slightly coy, slightly vain, and completely lovable. "TOOTSIE"
(Female-presenting); An actor at a crossroad in her life. Focused, self-aware and self-assured. She masks her pain and longs to connect. "TOOTSIE"
(Female-presenting); Michael's ex-girlfriend, now a friend. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She makes her anxieties known incredibly loudly and just wants to be happy. "TOOTSIE"
(Male-presenting); A self-obsessed actor with a limited wit. A firm believer in his own hype who can’t imagine anyone not being attracted to him. "TOOTSIE"
(Male-presenting); Michael's roommate. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason swirls just outside the eye of Michael's chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws – even his own. "TOOTSIE"
(Female-presenting); A level headed producer. Experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. "TOOTSIE"
(Male-presenting); Michael’s overworked agent. Always to the point, he plays the game, but hates it. "TOOTSIE"
(Male-presenting); An incredibly successful director. He demands respect and is often disrespectful in return. "TOOTSIE"
(Male-presenting); The composer of Juliet's Curse. Ensemble. "TOOTSIE"
(Female-presenting); The lyricist of Juliet's Curse. Ensemble. "TOOTSIE"
For a variety-style Holiday show. "A BEEF & BOARDS CHRISTMAS"