Performers for "Fun Home" and "Into the Woods" Musicals
Actors sought for "Fun Home" & "Into the Woods" shows. ONLY LOCAL TALENT WILL BE CONSIDERED. See the breakdown below. About the project: "Fun Home" Synopsis: The Tony Award-winning musical Fun Home traces the coming-of-age of lesbian author Alison Bechdel, from her youth, to her years at Oberlin College, and finally to the present, where Alison, now grown, is struggling to write her own graphic autobiography. As Alison reflects on her past, she struggles to make sense of it, particularly her relationship with her father, Bruce, a closeted gay man and the owner of the family business — the Bechdel Funeral Home (“fun” home, as it’s known to young Alison and her brothers, John and Christian). As she watches her father’s self-loathing consume him, Alison recognizes her own experience of discovering, and ultimately embracing, her identity. As Fun Home progresses, Alison is drawn deeper and deeper into her memories, finally entering into them, desperate (but unable) to reverse her father’s self-destruction. An unforgettable and groundbreaking musical, Fun Home explores the haunting pull of memory and the power it has to alternately destroy or shape, our identity. "Into the Woods" Synopsis: James Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless, yet relevant, piece… and a rare modern classic. The Tony Award-winning book and score are both enchanting and touching. The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them later with disastrous results. Additional info: What To Prepare: 32 measures of a song that best shows off your vocal skills and matches the show (an accompanist will be provided). Performers of all sizes, ages, abilities, ethnicities are encouraged to audition. "Fun Home" Run dates: March 5-16, 2025 "Into the Woods" **Many of these roles will be doubled depending on casting. Run dates: April 9-20, 2025 If you are interested, please apply.
27 roles
The narrator of this story. Now a self-aware adult, she is able to reflect insightfully on her own life and her relationship with her father before his tragic death. (Mezzo-Soprano) "Fun Home"
(to play 19) – Alison Bechdel as a freshman at Oberlin college, discovering her sexuality. For an incredibly well-read, hyper-intelligent teenager, her uncertainty about who she is makes her socially awkward at times. Should be comfortable being on stage in underwear and with kissing and physical contact with character Joan. (Mezzo-Soprano) "Fun Home"
Alison’s father. A high-school English teacher and funeral home director, who spends his spare time on the historic restoration of his home. A complex man with a hot temper as a result of years of repression. He can be caring and attentive to his children but is also quick to anger. Ability to play some piano a plus. (Baritone) "Fun Home"
Alison’s mother. Frustrated and exhausted by her tumultuous marriage. She has spent her life trying to be a good mother and wife while turning a blind eye to the irreverent activities of her husband.. Ability to play piano a plus. (Mezzo-Soprano) "Fun Home"
A student at Oberlin. She exudes a confident, sexual energy, with a dry sense of humor. Unlike Alison, Joan is very comfortable in her skin and openly identifies as a lesbian. Must be comfortable with harmony singing, alto lines. Should be comfortable being on stage in underwear and with kissing and physical contact with character Medium Alison. (Alto) "Fun Home"
Roy, a young man Bruce hires to do yard work; Pete, a mourner who visits the funeral home; Mark, a high school junior; Bobby Jeremy, the lead singer of a band in Alison’s imagination. (Tenor) "Fun Home"
An intellectual and peculiar story-teller who helps to orchestrate the show and illustrate lessons to the audience. Male identifying, female identifying, or non binary. Vocal range top: E4 Vocal range bottom: G2 "Into the Woods"
A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Female identifying or non binary. Vocal range top: G5 Vocal range bottom: G3 "Into the Woods"
The feckless Giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Male identifying or non binary Vocal range top: G4 Vocal range bottom: B2 "Into the Woods"
Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. Female identifying or non binary Vocal range top: Gb5 Vocal range bottom: Bb3 "Into the Woods"
A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. Male identifying or non binary Vocal range top: G4 Vocal range bottom: Ab2 "Into the Woods"
Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Female identifying or non binary Vocal range top: G5 Vocal range bottom: F3 "Into the Woods"
The mean-spirited, demanding stepmother of Cinderella. Female identifying, male identifying or non binary Vocal range top: F#5 Vocal range bottom: A3
FLORINDA & LUCINDA: Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Female identifying or non binary Vocal range top: Ab5 Vocal range bottom: C4
FLORINDA & LUCINDA: Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Female identifying or non binary Vocal range top: Ab5 Vocal range bottom: C4
A spoiled young girl who is strong-willed, quick-witted, fearless, yet youthful and naive. Female identifying or non binary Vocal range top: F5 Vocal range bottom: Bb3
Sarcastic, ugly-then-gorgeous, obsessive protector of Rapunzel who is straightforward and aggressive. Female identifying, male identifying or non binary Vocal range top: G5 Vocal range bottom: F3
Deceased with her soul guarding and aiding her daughter from a tree. Female identifying or non binary Vocal range top: F4 Vocal range bottom: E4
A mischievous vagrant and nosy meddler. He is a good-natured protector and observer. Male identifying or non binary Vocal range top: Eb4 Vocal range bottom: G2
Hungry and insatiable hunter who takes advantage of the weak by misleading and captivating his prey. Male identifying or non binary Vocal range top: Gb4 Vocal range bottom: Bb2
A loopy-but-lovely maiden who is sheltered by the Witch and terribly lonely. She yearns to experience the world. Female identifying or non binary Vocal range top: A5 Vocal range bottom: B3
Vain and gorgeous, he is a disloyal lover who is currently searching for the next new, exciting thing. Male identifying or non binary Vocal range top: F4 Vocal range bottom: B2
Just as vain and gorgeous as his Prince brother, he is always chasing the newest, most exiting endeavor. Male identifying or non binary Vocal range top: E4 Vocal range bottom: C#3
Voiceover. The Giant’s wife is an angry and vengeful ‘monster.’ She is seeking restitution for her loss. Female identifying or non binary Vocal range: N/A
A nasty servant who dislikes his role and dislikes the peasantry even more. Male identifying or non binary Vocal range: N/A
A hapless, hungry cow who is falling apart at the scenes. Male identifying, female identifying, non binary Vocal range: N/A
A drunk sucker who sacrifices his daughter’s happiness and well-being for the sake of appeasing his shrewish wife. Male identifying or non binary Vocal range: N/A