Casting Call For 2024-2025 Season

A struggling composer on the brink of his 30th birthday. Michael's roommate and Susan's boyfriend. Vocal range top: A4 Vocal range bottom: A2 "TICK, TICK BOOM!"

A former actor-turned-market research executive. He is Jon's roommate and best friend. Character Doublings include: COUNTER GUY, DAD, and MARKET RESEARCH GUY. Vocal range top: Gb4 Vocal range bottom: Bb2 "TICK, TICK BOOM!"

A dancer and Jon's girlfriend. Sexy, kind, independent. Character Doublings include: KARESSA, ROSA, JUDY, and MOM. Vocal range top: D5 Vocal range bottom: A3 "TICK, TICK BOOM!"

5’8 or under. A strong tenor with charm and charisma, a sweet, strong falsetto and the ability to sing in the style of Frankie Valli; tenor up to high A or Bb with falsetto to treble G. "JERSEY BOYS"

5’9 or taller. A strong tenor/baritone voice. A handsome, charismatic, smooth-talking operator with a quick temper. "JERSEY BOYS"

5’10 or taller. Strong tenor/baritone voice up to a high G. Boyish, fresh-faced Bob is the keyboardist. Something of a boy genius, he is smart and savvy beyond his years. "JERSEY BOYS"

5’10 or taller. Strong bass/baritone voice down to a low E. A steady, sturdy, lumbering man of few words with a police record and a strong musical talent. "JERSEY BOYS"

Doubles various roles including Hal Miller. Tenor to high C ideally with a strong falsetto to G above high C; has the ability to riff in rhythm-and-blues style. "JERSEY BOYS"

Strong singer; tough, "seen it all”, Italian, Jersey girl; she’s got a killer sense of humour; doubles a variety of other roles; strong belt. "JERSEY BOYS"

Strong actors and singers to play various roles. "JERSEY BOYS"

Fabulous, versatile actresses, singers and dancers with flexible vocal registers to play a variety of roles. "JERSEY BOYS"

A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers. Has a fantastic pop/rock voice with great range. "WAITRESS"

She is the youngest of the waitresses. Thick glasses, eccentric is the nice way to say she’s slightly unusual, and not so slightly OCD. Has an excellent pop/rock/folk voice. "WAITRESS"

The oldest of the three waitresses. Irreverent, irascible, been there, made it back. Has a soulful pop voice with an excellent pop belt. "WAITRESS"

Handsome, endearing, and neurotic. Has a warm, if clumsy, matter. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Impeccable comedic timing and moves well. Has a very strong pop/rock tenor. "WAITRESS"

Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. "WAITRESS"

Strange, yet oddly lovable. Becomes slightly obsessed with Dawn after she goes on a 5-minute date with him. Has excellent comedic timing. Has an excellent pop/rock tenor/baritenor sound. "WAITRESS"

The owner of the diner where Jenna, Dawn, Becky, and Cal work. A seemingly old, curmudgeonly man who has a soft spot for Jenna (and her pie), warm at heart. A sarcastically funny and no-nonsense guy with a keen ability to read people. "WAITRESS"

A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Has a strong pop/rock voice with great comedic chops. "WAITRESS"

(4 Male, 4 Female). Must have excellent pop/rock voices. Must have excellent comedic timing and be able to play a range of characters in the community. Must be strong movers/dancers. "WAITRESS"

Rachel is a complicated and, at times, an unlikeable and unreliable character. In her own perspective, she is a divorcée, deeply depressed over her infertility and a failed marriage. "THE GIRL ON THE TRAIN"

Megan is not at all the model wife and glamorous beauty Rachel imagines her to be. Haunted by her painful past—she is responsible for the accidental death of her baby—she is unable to confide in anyone. "THE GIRL ON THE TRAIN"

Anna defines herself by her looks and her sexual power over men. She is like Megan in that she had an affair with a married man and like Rachel in that her husband is cheating on her. "THE GIRL ON THE TRAIN"

At first glance, Tom seems to be a supportive ex-husband who continues to care for Rachel long after their divorce, an attentive husband to Anna, and an adoring father to their baby girl. As it turns out, he is cheating on Anna the way he cheated on Rachel, this time with Megan. "THE GIRL ON THE TRAIN"

Scott is very much in love with his wife, Megan, yet his jealous and impulsive nature makes him snoop in his wife's things, overstepping all privacy boundaries. When jealous, he flies into fits of anger and violence, regretting them afterward. "THE GIRL ON THE TRAIN"