Equity Talent Wanted for 2025 Season Show

(Woman/Non-Binary)A patrician/nobleman, highly regarded in society. Somewhat reserved and outwardly stoic, he is churning inside always. He has an aristocratic air but can also be kind and warm. Brutus is an intellectual and idealist who prizes honor and leads with logic, A principled man of deep conscience and integrity, who truly loves Rome, he believes that the assassination is necessary for the greater good of the people. "JULIUS CAESAR"

(Woman/Non-Binary)A patrician/nobleman. A master of rhetorical argument, shrewd, strategic and brilliantly persuasive, Cassius is the architect of the plot for the assassination of Caesar. Driven by ambition and jealousy perhaps more than patriotism, he persuades Brutus to join in the plot. He is also an experienced soldier in the field. "JULIUS CAESAR"

(Woman/Non-Binary) A decorated military leader, the most powerful man in Rome. A bully and a narcissist, he's made all the more dangerous by being on a downward trajectory physically: he is past his prime and feels it. We should believe that if he were to be in power he would indeed become a dictator. "JULIUS CAESAR"

(Woman/Non-Binary)A charismatic playboy and a jock, one of Caesar's closest companions. He is not a great judge of character -- he underestimates Cassius but in turn is underestimated by the conspirators, deftly rousing up the crowd against the conspirators after Caesar's death. He’s a tough, experienced and brutal soldier whose ambition comes bursting through in the second half of the play. "JULIUS CAESAR"

(Woman/Non-Binary) Portia: Brutus' wife. Of a noble family, she is smart, bold, courageous and carries herself with dignity and strength. She is, fiercely loyal and highly capable and wants to be an equal partner to Brutus. After the war breaks out she kills herself by eating fire, out of desperation. Flavius: A tribune. He's a rule follower, imperious and patronizing. He is incensed that the people are not working but celebrating Caesar instead. "JULIUS CAESAR"

(Woman/Non-Binary) Caesar's wife. A woman who has subsumed her life to her partner, she carries a strong inner strength which has helped her survive. She is perceptive and intuitive with strong convictions but also pragmatic and sturdy: she uncharacteristically loses her composure on the day of Caesar's assassination fearing for his life. "JULIUS CAESAR"

A conspirator. Ambitious, manipulative, quick thinking, psychologically keen he knows how to exploit and play on the weakness of others. He persuades Caesar to go to the capitol despite his wife's pleas using flattery and appealing to Caesar's male ego. Lower in status than the other conspirators/senators, he is eager to prove himself. "JULIUS CAESAR"

Soothsayer: genderless, an ethereal but tortured presence. Lives on the streets by their own wits. They are tormented by visions that they cannot avoid. Possibly sings. Octavius -- Julius Caesar's nephew, becomes one of the ruling Triumvirate after the assassination. He young, ambitious, driven. Quick tempered and arrogant, he's not as experienced in war as Mark Antony but eager to be in command. "JULIUS CAESAR"

A conspirator. A rising young politician, he's opportunistic, cynical, elitist and a climber, a political operative -- somewhat hot headed and impulsive. He disdains the populace and is also somewhat of a misanthrope. "JULIUS CAESAR"

(Woman/Non-Binary) A conspirator -- a loyal foot soldier, smart and capable, he's charged with distracting Mark Anthony during the murder of Caesar. Level-headed and reliable, he's a steady balancing presence in the group. He is truly driven by a desire to restore Rome’s former glory. "JULIUS CAESAR"

Lepidus: Part of the Triumvirate that takes over after Caesar's death, he's an experienced soldier, but not a great strategist or intellect. Ligarus: an aging sickly senator, he is eager to be part of the conspiracy and feel relevant in the world. Murellus: A tribune. A believer in following the rules, maintaining law and order, he's angered that people are leaving their jobs to celebrate Caesar. "JULIUS CAESAR"

(Woman/Non-Binary) A conspirator. In this version Cinna will have Metellus Cimber's lines to give him a larger presence in the play. He is a well- regarded, shrewd politician, smart and strategic. He holds a deep-rooted hatred for Julius Caesar partly because Caesar. ideally the same ethnicity as Cinna. "JULIUS CAESAR"

(Woman/Non-Binary) Lucius -- Brutus' young servant who follows him to war. Inexperienced but loyal, he will be the one who helps Brutus to take his life. Sings a song and plays an instrument TBD but most likely a guitar. Cinna the Poet -- is mistaken for Cinna. Ideally the same ethnicity as Cinna the conspirator "JULIUS CAESAR"

Mixed race of South Asian heritage, darker skinned than Algy. Dutiful. Feels a burden of wanting to be accepted. Lives a double life. "THE IMPORTANCE OF BEING EARNEST"

Mixed race of East/Southeast Asian heritage, lighter skinned than Jack. Socialite. Bachelor. Mischievous. A bit of a playboy. "THE IMPORTANCE OF BEING EARNEST"

Daughter to Lady Bracknell. Algy’s cousin. Clever. Well trained. Idealistic and romantic. "THE IMPORTANCE OF BEING EARNEST"

Granddaughter of Thomas Cardew (“an old gentleman of a very charitable and kindly disposition”) and Jack’s ward – not conventionally refined, but has her own bite and intuitive (country) wit. Adventurous. Indulged. "THE IMPORTANCE OF BEING EARNEST"

Algernon’s aunt (father’s sister). The image of the ideal Victorian woman. High social standards. Cares deeply about appearances. "THE IMPORTANCE OF BEING EARNEST"

Governess to Cecily (also used to work for Lord & Lady Bracknell). Austere on the outside, but is actually the Victorian version of a Danielle Steele devotee on the inside. Has a thing for Rev. Chasuble. "THE IMPORTANCE OF BEING EARNEST"

The local vicar. Likely a missionary from Europe. Has a thing for Miss Prism. "THE IMPORTANCE OF BEING EARNEST"

Algy’s Manservant. Dry. Always takes the hit for Algy’s antics. "THE IMPORTANCE OF BEING EARNEST"

Cecily’s Butler. Unceremonious. Gets the job done. "THE IMPORTANCE OF BEING EARNEST"

A well respected man who runs the jitney station. "JITNEY"

A driver. Recently returned from Vietnam, working several jobs to provide for his family. Hard working, earnest, honest, and determined. "JITNEY"

Youngblood's girlfriend and the mother of his young son, Jesse. Passionate yet down to earth and practical. "JITNEY"

Numbers taker who often uses the jitney station as his base. "JITNEY"

A local hotel doorman and a frequent jitney passenger. Humorous and likable. "JITNEY"

Becker's son, who has just completed a 20-year prison sentence for murder. Seeking to rectify his mistakes and move forward. "JITNEY"

A man who recalls an incident from his childhood. He is our witness and our guide. "SHANE"

Bobby's Father. He's half Mexican and half White. A farmer. He’s a good man who is trying to provide the best life possible for his young wife and son. "SHANE"

A mysterious cowboy and gun slinger. "SHANE"

(means: Eldest Daughter in Lakota): A Lakota woman who has been charged by her tribe to negotiate and select better cattle for her people on the reservation. She is an interpreter. Also Ensemble "SHANE"

A likable young cowboy trying to rise in Fletcher's organization. Also, Ensemble Jake Ledyard/Sam Grafton "SHANE"

An untrustworthy traveling salesman of farming equipment. Also plays Sam Grafton and Ensemble. "SHANE"

The fair-minded owner of the Grafton Saloon and General store. Also plays Jake Ledyard and Ensemble. "SHANE"

The smart and greedy land-owner who wants the valley for his new enterprise. Also Ensemble "SHANE"

A likable neighboring homesteader with a temper. Also plays Stark Wilson and Ensemble. "SHANE"

The cold-blooded gunslinger hired by Fletcher to manipulate homesteaders into a duel they cannot survive. Also plays Ernie. "SHANE"

(non-speaking role) "SHANE"

(non-speaking role) "SHANE"

He's beautiful. He is lonely. He is smart. A kind of Hamlet. "FAT HAM"

She is a good mother. A kind of Gertrude. "FAT HAM"

Pap is the Ghost of Juicy's father. Appears 45ish. Was in prison for killing someone cause their breath stank, til he got shanked on the way to dinner. A kind of Hamlet's Father. Same actor as REV. Rev is Tedra's husband. 45-50. Her dead ex-husband' s brother. Pig farmer and pit master. Electric. A kind of Claudius. Doubles as Pap. "FAT HAM"

Is one of Juicy’s only friends. She loves Ham and worries about him. A kind of Ophelia. "FAT HAM"

Is a boy that is attracted to Juicy. A marine. Trying to heal from PTSD. Has a secret. Awkward. A kind of Laertes. "FAT HAM"

Larry and Opal's mother. Tedra's friend. Semi-churchy but honestly she just wanna drink and praise the Lord. A kind of Polonius. "FAT HAM"

Juicy’s cousin. Oldest friend. A kind of Horatio. "FAT HAM"

"AS YOU LIKE IT"

"AS YOU LIKE IT"

"AS YOU LIKE IT"

"AS YOU LIKE IT"

Maybe doubles as Le Beau "AS YOU LIKE IT"

"AS YOU LIKE IT"

"AS YOU LIKE IT"

Double into some small role in the early court scenes "AS YOU LIKE IT"

Doubles as Adam in court scenes, and/or Jaques De Boys "AS YOU LIKE IT"

Doubles as Charles, the Wrestler "AS YOU LIKE IT"

Doubles as Dennis in court scenes "AS YOU LIKE IT"

Doubles as Attendant in court scenes "AS YOU LIKE IT"

Double as attendant in court scenes, and possibly Amiens "AS YOU LIKE IT"

Will be played by three musicians together "AS YOU LIKE IT"

Papa Calaca or Papa Muerte is leader of the Calacas (skeletons) here to usher in the end Quijano’s time on earth. A troubadour of sorts. "QUIXOTE NUEVO"

Magdalena is the put-upon, caretaking older sister of Quijano. She is at the end of her rope. Perla is an old dance-hall girl, a dangerous drunk who finds her heart of gold. "QUIXOTE NUEVO"

Antonia is the smart, positive, loving niece of Quijano and daughter of Magdalena. She’s smarter than this one-horse town but loves her uncle and his books and enjoys looking after him. Inez is the teenage daughter of the Castillo’s, spoiled and self-involved – very into Tik Tok "QUIXOTE NUEVO"

But can play both older (40s) and younger (a girl), female-identifying Dr. Campos is Quijano’s therapist. She is a practical, atheistic problem solver. Dulcinea appears in many forms: as a teenage chola, as a little girl puppet, as a large puppet. Puppetry skills are useful, though not necessary "QUIXOTE NUEVO"

Rosario is the owner of Rosario’s Bar & Karaoke – she’s tough, grounded, you don’t want to mess with her, but she’s ultimately warm. She’s the Alpha female of that space. Juana is Manny’s wife – she’s a little ditzy and a lot in love with her husband. Juana is best served by an excellent comedienne. "QUIXOTE NUEVO"

Padre Perez: a man of God with a good heart. Big Man with Belt/Border Patrol Cop: these roles require an imposing figure and a terrific sense of humor and play "QUIXOTE NUEVO"

Bruno: Rosario’s husband, a tough guy, earthy, grounded, but ends up inspired by Quijano. Young Quijano appears first as a small puppet then as a large puppet. NOTE: Puppetry skills are useful – though not necessary. Affinity for language and a big soul. Young Quijano/Terrified Boy/Yard Sale Guy require a terrific sense of play. "QUIXOTE NUEVO"

"THE MERRY WIVES OF WINDSOR"

Her husband. "THE MERRY WIVES OF WINDSOR"

"THE MERRY WIVES OF WINDSOR"

Her husband "THE MERRY WIVES OF WINDSOR"

Their daughter. "THE MERRY WIVES OF WINDSOR"

A suitor for Anne Page: Doubles as Pistol, a follower of Falstaff "THE MERRY WIVES OF WINDSOR"

A French physician: discovers he's wanting a relationship with Nym at end of play. Doubles as Bardolph, a follower of Falstaff. "THE MERRY WIVES OF WINDSOR"

Of the Caius household. "THE MERRY WIVES OF WINDSOR"

Of the Caius household: also plays Robert, of the Ford household "THE MERRY WIVES OF WINDSOR"

Also plays Artura Murray, Windsor dance instructor "THE MERRY WIVES OF WINDSOR"

A follower of Falstaff: discovers he's wanting a relationship with Caius at end of play "THE MERRY WIVES OF WINDSOR"

Falstaff's page. "THE MERRY WIVES OF WINDSOR"

A country justice of the peace "THE MERRY WIVES OF WINDSOR"

Shallow's cousin. "THE MERRY WIVES OF WINDSOR"

Slender's attendant; also plays John, of the Ford household "THE MERRY WIVES OF WINDSOR"

A Welsh parson "THE MERRY WIVES OF WINDSOR"

An intellectual and pleasant story-teller who helps to orchestrate the show and illustrate lessons to the audience. Vocal range top: E4 Vocal range bottom: G2 "INTO THE WOODS"

A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Vocal range top: G5 Vocal range bottom: G3 "INTO THE WOODS"

The feckless Giant killer who is 'almost a man.' He is adventurous, naive, energetic, and bright-eyed. Vocal range top: G4 Vocal range bottom: B2 "INTO THE WOODS"

Browbeating and weary, Jack's protective mother who is independent, bold, and strong-willed. Vocal range top: Gb5 Vocal range bottom: Bb3 "INTO THE WOODS"

A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. Vocal range top: G4 Vocal range bottom: Ab2 "INTO THE WOODS"

Determined and bright woman who wishes to be a mother. She leads a simple, yet satisfying life and is very low-maintenance yet proactive in her endeavors. Vocal range top: G5 Vocal range bottom: F3 "INTO THE WOODS"

The mean-spirited, demanding stepmother of Cinderella. Vocal range top: F#5 Vocal range bottom: A3 "INTO THE WOODS"

Cinderella's stepsisters who are black of heart. They follow in their mother's footsteps of abusing Cinderella. Vocal range top: Ab5 Vocal range bottom: C4 "INTO THE WOODS"

A spoiled young girl who is strong-willed, quick-witted, fearless, yet youthful and naive. Vocal range top: F5 Vocal range bottom: Bb3 "INTO THE WOODS"

Sarcastic, ugly-then-gorgeous, obsessive protector of Rapunzel who is straightforward and aggressive. Vocal range top: G5 Vocal range bottom: F3 "INTO THE WOODS"

Deceased with her soul guarding and aiding her daughter from a tree. Vocal range top: F4 Vocal range bottom: E4 "INTO THE WOODS"

A mischievous vagrant and nosy meddler. He is a good-natured protector and observer. Vocal range top: Eb4 Vocal range bottom: G2 "INTO THE WOODS"

Hungry and insatiable hunter who takes advantage of the weak by misleading and captivating his prey. Vocal range top: Gb4 Vocal range bottom: Bb2 "INTO THE WOODS"

A loopy-but-lovely maiden who is sheltered by the Witch and terribly lonely. She yearns to experience the world. Vocal range top: A5 Vocal range bottom: B3 "INTO THE WOODS"

Vain and gorgeous, he is a disloyal lover who is currently searching for the next new, exciting thing. Vocal range top: F4 Vocal range bottom: B2 "INTO THE WOODS"

Just as vain and gorgeous as his Prince brother, he is always chasing the newest, most exiting endeavor. Vocal range top: E4 Vocal range bottom: C#3 "INTO THE WOODS"

Voiceover. The Giant's wife is an angry and vengeful 'monster.' She is seeking restitution for her loss. "INTO THE WOODS"