Seeking Talent for Upcoming 2024-2025 Season Shows

Jane and Michael’s new nanny who is a force to be reckoned with possessing a dazzling personality. Full of hope even when things look dire, she professes “anything can happen if you let it.” Practically perfect in every way. Mezzo-soprano with a strong top – moves very well. "MARY POPPINS"

A one-man band, sidewalk artist, chimney sweep and kite salesman and friend to Mary Poppins. Charming and Charismatic – baritone to G – mid 30s – an excellent dancer including tap. Cockney accent. "MARY POPPINS"

Head of the Banks household, a bank manager who tries to be a good provider, but often forgets how to be a good husband and father. Baritone. "MARY POPPINS"

A former actress who is very busy trying to live up to her husband’s expectations. She is a loving but distracted mother to Jane and Michael. Mezzo-soprano. "MARY POPPINS"

The Banks’ family cook who rules the kitchen and Robertson Ay with an iron hand. Alto. "MARY POPPINS"

Clumsy but good-hearted footman of the Banks household, he has problems following directions and is a knock-about comic character. Tenor. "MARY POPPINS"

George Banks’ old nanny called in to take Mary Poppins’ place. She is cruel and demanding to the entire Banks family. Things must be done her way-or else! Soprano with Alto belt. "MARY POPPINS"

Mysterious and very old, she runs the “Talking Shop” where people buy conversations and gingerbread. She knew George Banks when he was a boy—soprano. "MARY POPPINS"

A statue in the park who has lost his father. Tenor -an excellent dancer. "MARY POPPINS"

Sits in front of St. Paul’s cathedral daily, selling bags of crumbs for her beloved pigeons. Alto - Sings “Feed the Birds.” "MARY POPPINS"

A stickler for rules and regulations, he watches over the park. Tenor. "MARY POPPINS"

The Banks’ family-friendly neighbor on Cherry Tree Lane – baritone. "MARY POPPINS"

Another of the Banks’ neighbors. She is a bit snobby and treats her dog, Willoughby, as a child. Mezzo-Soprano. "MARY POPPINS"

The last of a long line of nannies for the Banks’ children who leave #17 Cherry Tree Lane are fed up with Jane and Michael’s pranks. "MARY POPPINS"

A large group of men and women must sing and dance well. There are many small character parts and dancing solos. "MARY POPPINS"

Blaze #3, Sunny Dancer #2, Tapper Man #2, Challenger, CASTING OPEN. STRONG TAP DANCER AND SINGER. "AFTER MIDNIGHT"

Blaze #4, Tapper Man #1, Swingin’ Dancin’, CASTING OPEN. STRONG TAP DANCER AND SINGER. "AFTER MIDNIGHT"

The character arcs from an ambitious, fresh-faced person in a new relationship to a person stunned by a betrayal and a divorce that they are only beginning to understand. Vocal range top: D#5. Vocal range bottom: F3 "THE LAST 5 YEARS"

The character arcs from an ambitious person on a promising first date with a dazzling career to someone who is blinded by success and ego. They are lovable, yet they make unintentional choices that sabotage their happiness. Vocal range top: Bb4. Vocal range bottom: A2 "THE LAST 5 YEARS"

A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her life paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Has a fantastic pop/rock voice with great range. "WAITRESS"

She is the youngest of the waitresses. Thick glasses and hair parted 14 centimeters to the left — eccentric is the nice way to say she’s slightly unusual and not so slightly OCD. She sets the tables, painstakingly ensuring each salt and pepper shaker is equidistant from the napkin holder. Has an excellent pop/rock/folk voice. "WAITRESS"

The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Has a soulful pop voice with an excellent pop belt. "WAITRESS"

Handsome, endearing, and neurotic. Has a warm, if clumsy, manner. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Has impeccable comedic timing and moves well. Has a very strong pop/rock tenor that can navigate the musical style of Sara Bareilles with ease. "WAITRESS"

Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second and then turn into a sobbing mess the next. If auditioning for EARL, come prepared with a song in the vein of Elton John or a similar contemporary singer/songwriter. Guitar playing a plus. "WAITRESS"

Strange, yet oddly lovable. He becomes slightly obsessed with Dawn (in a hilarious yet endearing way) after she goes on a 5-minute date with him. Quirky, incredibly persistent, and odd, yet kind. Has excellent comedic timing. Has an excellent pop/rock tenor/baritone-tenor sound. "WAITRESS"

The owner of the diner where Jenna, Dawn, Becky and Cal work. A seemingly old, curmudgeonly man with a soft spot for Jenna (and her pie), warm at heart. A sarcastically funny and no-nonsense guy with a keen ability to read people. Very funny. "WAITRESS"

A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Has a strong pop/rock voice with great comedic chops. Has a strong contemporary baritone singing voice in the style of Sara Bareilles and has excellent comedic timing. "WAITRESS"

Must have excellent pop/rock voices in the style of Sara Bareilles. Must have excellent comedic timing and be able to play a range of characters comprising the community where the story takes place. Must be strong movers/dancers. "WAITRESS"

Must have excellent pop/rock voices in the style of Sara Bareilles. Must have excellent comedic timing and be able to play a range of characters comprising the community where the story takes place. Must be strong movers/dancers. "WAITRESS"

A young man in his early thirties, often anxious. President of Almaelou Music Corporation, Conrad Birdie’s manager. He is in a romantic relationship with Rosie, who is also his secretary. He is very eager to please everyone, which gets him into trouble. A song and dance guy. Baritone. "BYE, BYE BIRDIE!"

A young Latina woman in her early thirties. Very smart, confident. She is in a relationship with Albert, who is also her boss. She loves Albert but is greatly frustrated by his lack of commitment to their relationship and his unwillingness to follow his own dreams. 2nd Soprano/Alto. "BYE, BYE BIRDIE!"

A rock-n-roll star, has a lot of appeal as a singer and celebrity but loses all the luster when he’s just talking. He’s not very smart, quite rude, and only worried about himself. He’s being drafted into the Army following his last performance in Sweet Apple and wants to party. Think Elvis. Baritone. "BYE, BYE BIRDIE!"

Kim’s mother. She loves Kim and wants to support her growing independence, but she also wants her little girl back. She also gets carried away in all of the Conrad Birdie madness. Soprano. "BYE, BYE BIRDIE!"

Kim’s father, a very blustery and cranky kind of guy when he feels he’s losing control of his household, disapproves of Kim’s new attitude and is very inconvenienced by the Conrad Birdie thing until he realizes it will make him a celebrity too. Baritone. "BYE, BYE BIRDIE!"

Kim’s younger brother. He gets ignored and lost in the shuffle with all of Kim’s drama, but he continues to put himself in the midst of it while trying to get his Dad’s attention. Flexible voice part. "BYE, BYE BIRDIE!"

She is Albert’s mother, which is her most important title in the world. However, she uses her love for her son like a wooden club to guilt Albert into doing what she wants him to. She is also part owner of Almaelou. She sees Rose as the enemy at all times. She often negatively refers to Rose’s “Spanish” (Hispanic) background to annoy Rose and mess up their relationship. 2nd Soprano/Alto. "BYE, BYE BIRDIE!"

Proprietor and bartender of Maude’s Roadside Retreat. Rough guy, used to throwing people out of his bar when needed. Tenor. "BYE, BYE BIRDIE!"

Tap-dancing “secretary” that Mrs. Peterson hires to interfere with Rose and Albert’s relationship. "BYE, BYE BIRDIE!"