Theatre Casting Call for 2024 Season Shows

Willum is an architect and a pushover. He's kind and intelligent, but "could use a little gumption." He lacks the backbone to stand up for himself. "THE NERD"

Willum's on-again, off-again girlfriend. She's been offered her dream job in Washington, D.C., and feels guilty for leaving Willum behind. Idealistic, perky, weather woman, and is just as kind as Willum. "THE NERD"

Willum's best friend, he lives in Willum's basement. He's a pretentious, often-inebriated drama critic, always ready with a sarcastic comment. "THE NERD"

The titular "nerd." He's oblivious to insult and lacks manners or sensitivity. Works as an inspector at a chalk factory in Wisconsin. "THE NERD"

A boisterous, slightly dim businessman with no creativity and no tact. "THE NERD"

Mr. Waldgrave's high-strung, put-upon wife. She holds back all of her emotions, and only releases her stress when she can break "something small." "THE NERD"

Tenor. Energetic, emotional, rebellious, likable; emotes his pain through quirky sarcasm and dance; strong dancer. "FOOTLOOSE"

Baritone. The powerful, traditional local church leader; strict, stern, and solemn, still struggling with the death of his son. "FOOTLOOSE"

Soprano. Reverend Moore’s loving, supportive, resilient wife. "FOOTLOOSE"

Mezzo-Pop. Smart, a bit of the bad girl with an edge, sweet, the rebellious minister’s daughter; has a strong belt, a strong singer/dancer. "FOOTLOOSE"

Great soprano/pop voice. Ariel’s friend; a bit scatterbrained, sweet, fun, and knows everything about everything; has a strong belt, strong comedic timing, and dances. "FOOTLOOSE"

Tenor. A simple country bumpkin with a warm heart and a big smile; has comedic timing and dances. "FOOTLOOSE"

Soprano. Ren’s mother; had a tough go, just trying to make it...would do anything for her son. "FOOTLOOSE"

Tenor. The local bad boy and Ariel’s boyfriend. "FOOTLOOSE"

Mezzo/Alto. Ariel’s friend; the smart one of the group; has a strong belt, comedic timing, and dances. "FOOTLOOSE"

Mezzo. Ariel’s friend; has a strong belt, comedic timing, and dances. "FOOTLOOSE"

"FOOTLOOSE"

Alto Beltress. Brassy evangelist turned nightclub singer. Strong singer and dancer, especially tap. "ANYTHING GOES"

Soprano. Prominent debutante. Strong singer and should be able to dance or move well. "ANYTHING GOES"

Tenor. A young businessman who is in love with Hope. Strong singer and should be able to dance or move well. "ANYTHING GOES"

Wealthy Englishman, and Hope’s fiancé. English accent, strong singer and the ability to move well. "ANYTHING GOES"

Soprano/Alto. Hope’s overbearing mother. Ability to move well is a plus. "ANYTHING GOES"

Baritone. A hapless gangster, “Public Enemy #13”. Strong comic timing, plus the ability to sing and move well. "ANYTHING GOES"

Mezzo Belter. A playful, independent, impulsive, and loveably clueless “dame”. Strong singer and the ability to move well. "ANYTHING GOES"

Baritone. A nearsighted tycoon who always believes he’s right. Ability to move well is a plus. "ANYTHING GOES"

Tenor/Baritone. Two rascally New York City street toughs. Ability to move well is a plus. "ANYTHING GOES"

"ANYTHING GOES"

Mezzo Soprano. Young Kansas girl, earnest, expressive, and strong- willed, in search of something more. Comfortable with dogs. Very strong singer who moves well. "THE WIZARD OF OZ"

Baritone. Scarecrow is plucky and clever in a pinch, even while lacking a brain. Acrobatic skills are a plus. "THE WIZARD OF OZ"

Tenor. Desperate for a heart. A kind-hearted romantic. Tap skills are a plus. "THE WIZARD OF OZ"

Baritone. A mix of bravado and cowardice. Should move well. Big voice with excellent comic timing. Strong baritone to F. "THE WIZARD OF OZ"

Soprano. Good Witch of the North who is the mother figure for the Munchkins and Dorothy whom she guides through Oz. Benevolent and beloved. "THE WIZARD OF OZ"

Alto. Crafty and vain. Like a froggy, ferny cabbage, the Wicked Witch of The West is unnaturally green! "THE WIZARD OF OZ"

Baritone. Traveling salesman who lives by telling fortunes; a con man but with a good heart. Older father figure with an eccentric flair. "THE WIZARD OF OZ"

Baritone. Kansas farmer whose wife, Em, runs things. Adoring uncle to Dorothy. Comical Oz guard who gets flustered and bossy. "THE WIZARD OF OZ"

"THE WIZARD OF OZ"

"THE WIZARD OF OZ"

A traditional British butler in every sense: uptight, formal and “by the book.” He is the driving force in the play. "CLUE: ON STAGE"

A sexy, French Maid, with her own secret aspirations. Doubles as THE REPORTER in the final scene. "CLUE: ON STAGE"

A dry, sardonic D.C. Madam who is more interested in secrets than sex. "CLUE: ON STAGE"

The church-going wife of a Senator. A bit batty, neurotic, and quick to hysteria. "CLUE: ON STAGE"

A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands. "CLUE: ON STAGE"

A puffy, pompous, dense, blow-hard of a military man. "CLUE: ON STAGE"

An academic Casanova who woos women with his big ... brain. "CLUE: ON STAGE"

A timid, yet officious, rule follower. He’s a bit of a klutz and awfully anxious. "CLUE: ON STAGE"

A threatening presence. ENSEMBLE "CLUE: ON STAGE"

A benign gentleman who rings the wrong doorbell. ENSEMBLE "CLUE: ON STAGE"

The back of Miss Scarlet during a scene of theatrical trickery. ENSEMBLE "CLUE: ON STAGE"

Wadsworth during two scenes of theatrical trickery. ENSEMBLE "CLUE: ON STAGE"

An FBI agent who helps to save the day. ENSEMBLE "CLUE: ON STAGE"

A mobster type fella. A dark cloud follows this guy wherever he goes. ENSEMBLE "CLUE: ON STAGE"

A “Regular Joe.” ENSEMBLE "CLUE: ON STAGE"

The back of Colonel Mustard during a scene of theatrical trickery. ENSEMBLE "CLUE: ON STAGE"

Wadsworth during two scenes of theatrical trickery. ENSEMBLE "CLUE: ON STAGE"

An FBI agent who helps to save the day. ENSEMBLE "CLUE: ON STAGE"

High Baritone. Extremely strong singer, transforms from sensitive Victorian doctor to charismatic, sexual serial killer. "JEKYLL & HYDE"

Soprano. Jekyll's fiance, upper crust, innocent. "JEKYLL & HYDE"

Alto Belter. Prostitute with a heart of gold, lower class but smart. "JEKYLL & HYDE"

Baritone. Jekyll's best friend, attorney, smart, intuitive. "JEKYLL & HYDE"

Baritone. Emma's father, well-bred and loving. "JEKYLL & HYDE"

Baritone. Jekyll's rival, handsome, upper class. "JEKYLL & HYDE"

Alto. Society dowager but still on the prowl. "JEKYLL & HYDE"

Baritone. Conservative looking but has a secret hobby with the ladies of the night. "JEKYLL & HYDE"

Baritone. Man-about-town, arrogant. Doubles as SPIDER, a pimp. "JEKYLL & HYDE"

Queen's Counsel, all-business. "JEKYLL & HYDE"

Baritone. An old fashioned Army General with dated ideas on discipline. "JEKYLL & HYDE"

"JEKYLL & HYDE"

Of indeterminate age. He has been the Pastor at this church for some time and has a wife “half his age”. The ladies have a great deal of respect for the Pastor and tolerate his wife. He is a nice man, if perhaps not a terribly dynamic preacher. He lives a life of service and humility. "CHURCH BASEMENT LADIES 2: A SECOND HELPING"

Karin is Beverly’s mother and is the most fashionable of the ladies and the best cook in the kitchen. She married young, and has always strived to be a good wife and mother. Although she appears happy, had she been born in another time, her life might have turned out quite differently. "CHURCH BASEMENT LADIES 2: A SECOND HELPING"

Signe is a newlywed. After graduating from the “U”, she left home a year ago to move to “the City” with her new husband, Harry. She grew up in this kitchen and has a great deal of affection for the women of the basement. Although she is strong willed, she has a good head on her shoulders and a genuine love for the community. "CHURCH BASEMENT LADIES 2: A SECOND HELPING"

Her husband died very early in their marriage. She is the matriarch of the kitchen and holds tightly to tradition with both hands. The other women get a kick out of her and secretly enjoy watching her squirm a little when she is challenged. "CHURCH BASEMENT LADIES 2: A SECOND HELPING"

In her 50s, she is an able-bodied farm wife. Mavis is extremely good-natured, and often tries to dispel any tension in the kitchen by changing the subject or telling a joke. She knows the lineage of every family in town and is always willing to pitch in and fix someone’s tractor, peel a potato, or scrub the lutefisk pot. She believes hard work is good for the soul. "CHURCH BASEMENT LADIES 2: A SECOND HELPING"

Tenor I: Approx. Vocal Range: D—Bb (F#); Very strong falsetto—sings the very high Beach Boy-style "wah-oohs" throughout the show. "ROUTE 66"

Tenor II: Approx. Vocal Range: C—G (Db); Also strong falsetto—sings the falsetto parts when Scot is singing the lead. "ROUTE 66"

Bari-tenor/Bass: Approx. Vcaol Range: (A) B—E (with strong G); Sings low trucker songs, many solos in tenor range. "ROUTE 66"

Baritone/Bass: Approx. Vocal Range: G—F; Vocally sings bass line, most solos are in bari-tenor range. "ROUTE 66"