Casting Equity Actors for 2024 Season
ONLY LOCAL TALENT WILL BE CONSIDERED. Auditions for 2024 Season Shows. Directors are accepting equity video submissions from performers of all ethnicities, gender identities, and ages, as well as performers with disabilities. See more details below. About the project: 1. "PRIDE AND PREJUDICE" 2. "LOVE'S LABORS LOST" 3. "KING LEAR" Rate: CONTRACT / LORT Rep $799.28 weekly minimum (LORT D). Additional info: Please prepare one Early Modern Monologue (Shakespeare preferred). Please also bring your headshot and resume stapled together. 1st Rehearsal; Spring - January 1st; Summer/Fall - June 13th; Opening; Spring - January 27th; Summer/Fall - July 13th; Closing; Spring - June 9th; Summer/Fall - November 24th. If you're interested, please apply.
13 roles
"PRIDE AND PREJUDICE" An intelligent and spirited young woman who possesses a keen wit and enjoys studying people's characters. Although she initially dislikes Darcy, circumstances cause her to reassess her negative impression of him, and she eventually falls in love with him.
"PRIDE AND PREJUDICE" A wealthy, proud man who falls in love with Elizabeth and reveals a generous, thoughtful nature beneath his somewhat stiff demeanor.
"PRIDE AND PREJUDICE" Elizabeth's ironic and often apathetic father. Unhappily married, he has failed to provide a secure financial future for his wife and daughters.
"PRIDE AND PREJUDICE" Elizabeth's foolish and unrestrained mother who is obsessed with finding husbands for her daughters.
"PRIDE AND PREJUDICE" A gentle and kind-hearted young woman who is Elizabeth's confidant and the oldest of the Bennet daughters. She falls in love with Bingley but is cautious about revealing the depth of her feelings for him.
"LOVE'S LABORS LOST" While the play's dramatis personae lists the King as Ferdinand, throughout the play he is referred to only as "King." He is a scholar and has sworn an oath to uphold his scholarship at the expense of earthly pleasures, the most important of which will turn out to be receiving women at his court.
"LOVE'S LABORS LOST" Three lords who have joined the King in his oath of scholarship. They fall in love with Rosaline, Maria, and Katherine, respectively.
"LOVE'S LABORS LOST" This character never has a name other than "Princess." She pays a visit to the King of Navarre and, along with some of her attendants, plays a game of wits with the King and his lords.
"LOVE'S LABORS LOST" Three ladies attending the Princess who catch the fancy of the King's lords.
"LOVE'S LABORS LOST" Three ladies attending the Princess who catch the fancy of the King's lords.
"LOVE'S LABORS LOST" Three ladies attending the Princess who catch the fancy of the King's lords.
"KING LEAR" Lear’s youngest daughter, disowned by her father for refusing to flatter him. Cordelia is held in extremely high regard by all of the good characters in the play—the king of France marries her for her virtue alone, overlooking her lack of dowry. She remains loyal to Lear despite his cruelty toward her, forgives him, and displays a mild and forbearing temperament even toward her evil sisters, Goneril and Regan.
"KING LEAR" A nobleman of the same rank as Gloucester who is loyal to King Lear. Kent spends most of the play disguised as a peasant, calling himself “Caius,” so that he can continue to serve Lear even after Lear banishes him. He is extremely loyal
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