How to Make Money Acting Before You're Famous: Dillon Mann's Tips for New Talent

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You don't need to be famous — or have an agent — to get paid as an actor. Coach Dillon Mann (HBO, Disney, 20th Century Fox, NASCAR) says the real money for new talent is in industrials, corporate training videos, and commercials, which can pay $350–$2,500+ a day. A solid headshot, a 10–20 second slate shot, and daily self-submissions on AllCasting matter more than follower count or a big resume.

How to Earn Money as an Actor Even If You're Not Famous Yet

Most working actors are not household names — they're building a resume one booking at a time. In this AllCasting webinar, acting coach, talent manager, and casting professional Dillon Mann (owner of UpNext Talent LLC and Talent INC The Studio in Concord, NC) explains how new and developing talent can start earning real money long before "famous" ever enters the picture.

Dillon has worked across projects tied to HBO, Cinemax, 20th Century Fox, Disney, and NASCAR, and coaches actors of all ages on auditions, self-tapes, and the business side of the industry. Here's what he told the AllCasting community.

Industrials and commercials pay more than people expect

Corporate training videos and industrial projects — the kind of content brands like Amazon or Lowe's use to onboard employees — are often overlooked by new actors chasing TV and film. Dillon says these gigs typically pay $800 to $2,500 a day depending on the industry, and they're regularly posted right on AllCasting.

Commercials can pay off even bigger. Dillon shared the example of an 11-year-old client who booked a national Coca-Cola Super Bowl commercial and earned roughly $80,000–$90,000 for a one-day shoot — a booking that also built his resume and opened doors to bigger roles.

Your headshot is your first audition

Without a resume or demo reel, casting directors judge new talent almost entirely on their headshot. Dillon recommends budgeting $300–$500 for a professional session, and pairing it with a quick 10–20 second slate video that shows your name, stats, location, and personality. A good phone photo with proper lighting, a blue backdrop, and portrait mode can work too — just avoid busy outdoor selfies.

Self-submit daily and check your inbox

New posts go up on AllCasting every day, and Dillon tells his own clients — agented or not — to self-submit daily rather than waiting for someone else to find them. Just as important: check your inbox and messages daily. Missed replies are one of the most common reasons talent loses out on paid work.

Say yes to student films and unpaid demo reel opportunities

If a student film or local project offers footage instead of a day rate, Dillon says take it "a thousand percent." A professional demo reel can be worth more than a paycheck for a new actor, since quality demo reels normally cost thousands of dollars to produce.

You don't need a big following — or an agent

A large social media following isn't required to book commercials, industrials, or film work — casting directors care about the audition, not follower count. Dillon does recommend having some professional online presence, ideally a separate account for your acting work. And while agents can help, plenty of working actors are fully self-represented and book consistently through self-submissions on platforms like AllCasting.

Q&A

Do actors need an agent to get paid work?
No. Many working actors are self-represented and book most or all of their jobs through self-submissions on casting platforms like AllCasting. Actors who do want representation should first build a small body of work — a few student films, self-produced content, and a professional headshot — typically over 6 to 12 months, before submitting to agencies.
How much does a beginner actor typically get paid per gig?
Pay varies by project type. Local commercials generally pay around $350–$400 a day. Industrial and corporate training videos typically pay $800–$2,500 a day depending on the industry. National commercials can pay significantly more once buyouts and residuals are included — in rare cases, tens of thousands of dollars for a single day of shooting.
What are industrial and corporate acting gigs?
Industrials are projects created for a specific company or industry, such as employee training or onboarding videos for retail, healthcare, or corporate brands. They're commonly overlooked by new actors chasing film and TV roles, but they pay well and are a common entry point into paid acting work.
Is it worth doing unpaid work like student films?
Often yes, especially for actors without professional footage yet. Unpaid student films and local projects that provide raw footage in place of a day rate can produce a demo reel, which casting directors use to evaluate an actor's work. A quality demo reel produced independently can otherwise cost several thousand dollars.
How often should actors submit for new casting calls?
Daily is recommended. New casting calls are posted continuously, submissions are often reviewed in the order they arrive, and some breakdowns close within days. Actors who submit consistently — and check their inbox for casting responses daily — are less likely to miss paid opportunities.
Does a large social media following help actors get booked?
Not usually, for scripted commercial, film, and television roles — casting decisions are based primarily on the audition itself. A large following matters more for reality TV or influencer-driven campaigns. A clean, professional social media presence is still worth maintaining, since casting teams and brands frequently review it before booking.