Equity Actors for Production of "The Gorgeous Nothing"
Equity actors for roles in "The Gorgeous Nothing". See breakdown below. Rate: Off Broadway $1496 weekly minimum (Cat. E) - Plus, Media fee = $1518 weekly. Additional info: Audition day lunch 1:00 PM - 2:00 PM. PREPARATION: Please prepare a 90-second monologue and a 32-bar cut from the Great American Songbook. Total time for audition material 2 1/2 minutes. Rehearsal Start Date: January 18, 2027 Opening Night: February 24, 2027 Closing Date(s): March 20, 2027 EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. For this theatre production, Creative Team is in search of unique artists with a willingness to collaborate on new work. Note From Casting: In reference to the Breakdown information – these are descriptions of the characters as identified in the script and in collaboration with the creative team. They are not meant to be exhaustive of who should play these roles and directors seek to cast as expansively and authentically as possible. They are committed to inclusive representation of race, ethnicity, gender, body type, and ability. Directors also recognize that many characters in this show are written on the binary (use he/him or she/her pronouns) and they invite gender non-conforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. If you are interested, please apply.
4 roles
Age: 44. A Southern-born, Harvard-educated man who helped establish the NAACP alongside Dr. W.E.B. Du Bois. He carefully constructs a persona that conceals his true self. Dreams of becoming a concert pianist & has been arrested multiple times in a subway restroom. This track will doubles as several minor supporting roles, as well as GLADYS BENTLEY, the brash, no-nonsense manager of the Harlem speakeasy the Clam House. Authentically embodies a full spectrum of masculinity & femininity.