"Mary Poppins" Musical Looking for Equity Actors
Equity actors for roles in "Mary Poppins" musical. See breakdown below. Rate: COST $1214 weekly minimum (Tier 4) Additional info: Audition day lunch 1:30 PM - 2:30 PM. PREPARATION: Please prepare a brief cut of a golden age musical theater song in the style of the show. No pop/rock. An accompanist will be provided. Please bring your headshot and resume stapled together. Rehearsals Begin: October 26, 2026 1st Performance: November 18, 2026 Opening Night: November 22, 2026 Closing: January 3, 2027 Playhouse is located in Millburn, NJ, which is approximately 22 miles from Times Square. Transportation for actors will be provided by van to and from midtown Manhattan. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. If you are interested, please apply.
7 roles
Female-presenting. Jane and Michael Banks’s new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo-soprano with strong upper range. Floating and lyrical, always precise and crystal clear. Vocal range Gb3-C6.
Male-presenting. The narrator of the story, is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man. Baritone. Vocal range B2-F#4.
Male-presenting. The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding “precision and order” in his household, he is a pipe-and-slippers man who doesn’t have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. Baritone. Vocal range Bb2-Eb4.
Female-presenting. George’s wife and Jane and Michael’s mother. A former actress, she is loving and distracted homemaker who is busy trying to live up to her husband's desire to only associate with “the best people” as well as be the model wife and mother. She suffers from the conflicting feelings that she's not up to the job of “being Mrs. Banks,” yet, she is, and more. She has great warmth and tenderness to her tone. Mezzo-soprano. Vocal range A3-D5.
Female-presenting. The housekeeper and cook for the Banks family. Overworked and harassed, she’s always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of nannies in general and Mary Poppins in particular. Alto. Vocal range F#3-D#5.
Female-presenting. Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn’t exist. Sings “Feed The Birds.” Doubles as [MISS ANDREW] George’s overbearing and scary nanny. Mezzo-soprano. Vocal range Gb3-F5.
Male-Presenting. A retired Royal Navy man and neighbor of the Banks family. A physically large man with a loud and booming voice, he speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Doubles as [BANK CHAIRMAN] The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt.
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