Auditions for Musical "On the Town"
Singers needed for "On the Town" show. See the breakdown below. ONLY LOCAL TALENT WILL BE CONSIDERED. Rate: $1,320 weekly minimum (LORT B+, Non-Rep). About the project: Three sailors have 24 hours of shore leave in New York City. One falls instantly in love with "Miss Turnstiles" and spends the day searching for her, while his friends are swept into their own romantic misadventures across the city. Additional info: Equity actors only. Always bring your Equity Membership card. Schedule an appointment via email. Equity members without appointments seen as time permits. Prepare two brief contrasting musical theatre songs or a 1–2 minute monologue. Bring headshot, resume, and sheet music. Accompanist provided. Seeking principal actors, ensemble singers and dancers, and two off-stage swings (one male-presenting, one female-presenting). Strong partnering skills and tumbling encouraged. Six principal roles cast with internal understudies. First rehearsal: February 5, 2027. Show dates: March 2–21, 2027. If interested, please schedule an audition time.
22 roles
Male (Cis, Transgender, or Non-Binary), Baritone; Romantic, idealistic, earnest; the “dreamer” of the three sailors, instantly smitten with Ivy (“Miss Turnstiles”) and spends his 24‑hour leave searching for her. A natural leading man with boyish charm. Dances in the Dream Ballet.
Male (Cis, Transgender, or Non-Binary), Baritone; Naive, eager, more interested in sightseeing than romance; keeps a guidebook and wants to report back to his father about everything he’s seen. Strong comedy skills; “dragged” into adventure and seduction by Hildy.
Male (Cis, Transgender, or Non-Binary), Baritone; Lively, extroverted, a ladies’ man; the most worldly of the sailors, quickly up for a fling and larger‑than‑life antics. Physically confident; often described as resembling a prehistoric man statue at the museum Physical comedy and presence are a must.
Female (Cis, Transgender, or Non-Binary), Mezzo‑soprano; light legit with mix; Hard‑working, artistic, romantic; a small‑town girl and ballet dancer trying to get ahead in New York while juggling work and ambition; Requires excellent ballet technique; multifaceted; comedic and dramatic skills a must.
Female (Cis, Transgender, or Non-Binary), Mezzo‑soprano; strong belt/mix; Flirty, funny, jazzy, street‑smart; a New York cab driver “hungry for a man,” direct and unapologetic yet ultimately tender with Chip. Requires powerhouse comic timing and vocal stamina; strong physical comedienne.
Female (Cis, Transgender, or Non-Binary), Soprano; legit, low F to high C; Intelligent, poised, a self‑described “cold‑blooded scientist” and anthropologist who cannot control her impulsive attraction to Ozzie. Must balance refined, academic veneer with growing animal passion; excellent physical comedienne.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. Dignified, overly understanding fiancé to Claire; repeatedly forgives her indiscretions until he realizes he is being made a fool of. Deadpan humor and strong character work.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Ensemble Bass; World‑weary New Yorker heading to work; sets the tone of the city waking up. Doubles as SUPERMAN Aggravated New York Cab Company Owner And RAJAH BIMMY An over‑the‑top Emcee at Ivy’s Coney Island show.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (Subway worker)/PROFESSOR WALDO FIGMENT (Fussy Museum Guide)/CHIP Understudy
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (Subway worker)/PROFESSOR WALDO FIGMENT (Fussy Museum Guide)/CHIP Understudy
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (Lyrical dancer)
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. Soprano/Alto/Mezzo; Hildy’s perpetually sniffling, bedraggled roommate with a terrible cold; socially awkward; Strong Physical and Vocal comedienne.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (tiny, tough New Yorker)
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (tiny, tough New Yorker)
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged.
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (CIS, TRANSGENDER, OR NON-BINARY).
ENSEMBLE W/ FEATURES Soprano/Alto/Tenor/Bass singers capable of Bernstein’s rhythmic, jazzy writing and tight harmonies. Robust dancers for jazz and ballet‑influenced choreography. Strong Character Actors with excellent comic skills. Strong partnering skills and tumbling are encouraged. (CIS, TRANSGENDER, OR NON-BINARY).
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