Talent Wanted for "The Play That Goes Wrong" Show

(Inspector Carter): Chris is a high-status, rigid director who views this performance as the most important night of his life. As the production unravels, his desperation escalates, and audience laughter intensifies his distress. Requires authority, control, and strong comedic skill.

A self-serious actor with aspirations of classical gravitas in the style of Richard Burton. Unaware of others, he remains confident despite repeated mistakes and engages in a power struggle with Chris. Requires strong vocal presence and commitment to heightened comic style.

(Cecil Haversham / Arthur the Gardener). Inexperienced and eager, Max follows direction without understanding the play. Childlike and approval-seeking, he breaks the fourth wall when he gets laughs. Requires innocence and comedic timing.

(Perkins). Socially awkward and eager to belong, Dennis sees the production as a path to friendship. Aware of his mistakes, he experiences audience laughter as personal failure. Requires sincerity, discomfort, and strong comedic skill.

(Lighting and Sound Operator). Standard American accent. A disengaged, curmudgeonly technician who just wants to get through the show. Easily distracted and reluctantly pulled onstage, where he is deeply uncomfortable. Requires expert comedic timing and dry delivery.

(Charles Haversham): A somewhat bland performer who sees himself as a suave leading man in the style of James Bond. Enthusiastic but less invested than others. A highly physical role requiring stamina and precision.

(Florence Colleymoore). Ambitious, vain, and image-driven, Sandra seeks admiration and advancement. She is strategic in maintaining favor with those in power. Requires confidence, strong physicality, and heightened emotions.

(Stage Manager). Standard American accent. A reluctant stage manager forced onstage, Annie transforms from fearful to fully committed. Experiences the most significant character arc. Requires strong comedic skill.