Singing Opportunities in the Musical "Ghost"
ONLY LOCAL TALENT WILL BE ACCEPTED. Seeking singers for upcoming production of "Ghost". See the details below. Rate: Priority will be given to CAEA members. Only successful applicants will be contacted and granted a time slot. Additional information: In-Person auditions will be held in Toronto, ON. For Actors who are unable to attend in person, the Theatre may accept self-tapes in accordance with ITA Clause 8:06(V). First Day of Rehearsal: MARCH 30th 2027. Opening Night: APRIL 23rd 2027. Closing Night: JUNE 20th 2027. Contract: ITA SECTOR II - C HOUSE (Presumed). Audition material will be provided to selected applicants. SUBMISSION DEADLINE: MAY 3rd 2026. If you're interested, please apply.
15 role s
He/him. Office-worker in NYC, living with long-term girlfriend, MOLLY. Vocal Range: G# to Bb.
She/her. Artist living in NYC with boyfriend, SAM. Vocal Range: G to Eb..
She/her. Spiritual advisor at a storefront séance parlour in Brooklyn, told as a child that she had “the gift” by her mother and grandmother (who were both able to communicate with the dead). Larger than life. Comic ability with sincerity and truth. Vocal Range: G to E.
He/him. “Friend” and colleague of SAM. Strong actor and singer who becomes corrupted and jealous of everything that SAM has, including MOLLY. Vocal Range: F to G.
He/him. Latino. A streetwise criminal. Ensemble singing only.
He/him. He believes the trains are his because he was pushed onto the track and killed. Aggressive and powerful, a good physical actor is required. He must be able to fight with SAM and physically and emotionally dominate him. Ensemble singing only.
Any gender. Is one of the first ghosts that SAM encounters. A good comic actor and singer. Vocal Range: C to A.
She/her. Oda Mae’s sister/helper at her séance parlor. Comic role, good singer. Vocal Range: D to D.
He/her. Oda Mae’s sister/helper at her séance parlor. Comic role, good singer. Vocal Range: D to D.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.
ENSEMBLE. Must be strong singer/actors who can handle movement and choreography.