Seeking Cast for 2025-2026 Season Shows

(Baritone). 35 years old. The protagonist of our story, Robert is a confirmed bachelor, living in New York City. Although he has scads of great friends, Robert is the only one who is still single. Intelligent, affable, and at ease in almost any situation, Robert is everyone’s favorite third wheel. Although he appears cheery and self-confident on the outside, it masks a painful sadness within. "COMPANY"

(Baritone). Harry is the husband of Sarah, and one of Robert’s close friends. Harry is an alcoholic who is attempting to stay on the wagon after two arrests for public intoxication. He’s an unenthusiastic teetotaler, but at least he’s honest about it. Harry is constantly verbally sparring with his wife, Sarah, needling her about her own vices (especially an obsession with food). Regardless, he truly does love Sarah and is honest with Robert when asked. "COMPANY"

(Soprano). Southern accent. Susan is the wife of Peter and close friend of Robert. A sweet, lovely southern belle, Susan appears to be the perfect wife. However, despite her seemingly picture-perfect relationship with her husband, Peter, she and her husband decide to get a divorce. Even so, Susan and Peter function as a married couple. This is confusing to most observers, including Robert, but it makes perfect sense to Susan and Peter. Susan is affectionate and motherly with Robert. "COMPANY"

(Mezzo/Alto). Sarah is the wife of Harry, and close friends with Robert. Sarah is a former foodie with a penchant for overindulgence. She’s currently on a highly restrictive diet, which has made her something of a food voyeur -- she watches other people eat to satisfy her own desires. Because she’s always thinking about food, she’s also often talking about it. Her other favorite topic of conversation is Harry, who she criticizes, constantly particularly with regard to his alcoholism. "COMPANY"

(Baritone). Peter is the husband of Susan and close friend of Robert. An Ivy League-grad, Peter seems to have the world at his feet. Despite seeming to have a seemingly picture-perfect relationship with his wife, the lovely southern belle Susan, however, Peter and his wife are unfulfilled in their marriage and decide to divorce. This is confusing to most observers, including Robert, but it makes perfect sense to Susan and Peter. "COMPANY"

(Soprano). Jenny is David’s wife and a close friend of Robert’s. A lovely, sweet middle-class, straight-edged square. Despite her seemingly conservative, obedient appearance, Jenny can be subtly manipulative and knows how to get what she wants. Jenny understands that her husband likes to feel important, so she indulges him from time to time in the fantasy that he’s in control. Ultimately, however, Jenny pulls all the strings. Jenny is playful, smart, and genuinely cares for Robert. "COMPANY"

(Baritone). David is Jenny’s husband, and a close friend of Robert’s. He’s avidly middle-class, with just enough of a wild streak to keep it interesting. David is relaxed and affable, and likes to feel as if he is in control. He enjoys that his wife, Jenny, appears to defer to his judgment, but -- in fact -- is often manipulated by her. David likes being married and believes in the institution-- according to him, the benefits of marriage are far greater than the freedoms you give up. "COMPANY"

(Mezzo/Alto). Paul’s fiancee and Robert’s former girlfriend (now, friend.) . Amy has been living with Paul for years, and is excited that they’re finally tying the knot -- or so she thinks. It is only on the morning of her wedding that Amy realizes how terrified she is of marriage. Already somewhat neurotic, and an expert in therapy, Amy overanalyzes the situation until she’s spun herself out of control. She suffers a major mental breakdown during which she calls off her wedding. "COMPANY"

(Tenor). The fiance of Amy and a close friend of Robert’s. Paul is sweet and loving-- he cares deeply for Amy and would do anything for her. Desperately in love with his fiance, Paul can attention can be mildly clingy. Yet, he is patient and generous towards his neurotic lover, and his affection for her is deeply felt. Paul believes in marriage and can’t wait to take part in the institution; he urges Robert to do the same. "COMPANY"

(Alto). Joanne is on her third (or is it fourth?) marriage, this time to the fun-loving Larry. She’s very close to Robert, and questions why they never had a relationship. To outsiders, Joanne appears acerbic, blunt, and bitter. She’s always got her guard up and very rarely lets others in. Joanne is also somewhat older than Robert -- she’s too old to run with the young folks, but too young to run with the old folks. "COMPANY"

(Baritone). Joanne’s husband. Larry is usually fairly stoic and grounded, although he freely gives in to goofy impulses, as they come. He is always the first to jump up and dance, and his lack of self-consciousness is both charming and a little embarrassing. Although he indulges Joanne in her more brutish moments, he know when to put a stop to it. "COMPANY"

(Mezzo). One of Robert’s girlfriends. A flight attendant originally from Shaker, Ohio. April is “dumb”-- selflabeled -- and reportedly moved to New York so she could live at Radio City, which she thought was a suburb of New York City. She stayed because, according to her, she “bores herself.” Despite April’s self-deprecation and daffiness, she’s sweet, thoughtful, and warm. April is ditzy, but earnest; unintellectual but occasionally profound; and thoroughly lacks social skills. "COMPANY"

(Mezzo). One of Robert’s girlfriends. A streetwise, magnetic young woman who is obsessed with New York. Marta has an opinion about just about everything, and won’t hesitate to share it. She’s hip, fashion-forward, and profoundly cool. She does not, however, know quite when to shut up. The actor playing Marta should have experience with close harmonies, as she performs in the trio “You Could Drive a Person Crazy.” "COMPANY"

(Soprano). One of Robert’s ex-girlfriends; now, a very close friend. A sweet, genuine, and kind young woman, Kathy is tired of living in the hustle and bustle of New York. Although she once loved Robert enough to want to marry him, now Kathy is engaged and planning to move back to Cape Cod to start a family. Kathy has been desperate for love and for something solid in her life and is thrilled to have finally found it. "COMPANY"

Playing the roles of: Charles Dickens, Charity Solicitor #1, Fiddler, Joe, Fred’s Guest #3, Gentleman #1. "A CHRISTMAS CAROL"

Playing the singular role of Ebenezer Scrooge throughout the play. "A CHRISTMAS CAROL"

Playing the roles of: Bob Cratchit, Fezziwig, Fred’s Guest #5. "A CHRISTMAS CAROL"

Playing the Ghosts of: Marley, Christmas Past, & Christmas Present, Christmas Future. "A CHRISTMAS CAROL"

Playing the roles of: Fred, Undertaker. "A CHRISTMAS CAROL"

Playing the roles of: Young Ebenezer, Fred’s Guest #6, Young Married Man. "A CHRISTMAS CAROL"

Playing the roles of : Young Marley, Gentleman #2. "A CHRISTMAS CAROL"

Playing the roles of: Charity Solicitor #2, Belle, Abigail. "A CHRISTMAS CAROL"

Playing the roles of: Mrs. Cratchit, Mrs. Fezziwig, Fred’s Guest #4. "A CHRISTMAS CAROL"

Playing the roles of: Flora, Laundress, Young Married Woman, Fred’s Guest #1. "A CHRISTMAS CAROL"

Playing the roles of: Martha Cratchit, Charwoman, Fred’s Guest #2. "A CHRISTMAS CAROL"

Playing the roles of: Maid #1, Fauna. "A CHRISTMAS CAROL"

Playing the roles of: Maid #2. "A CHRISTMAS CAROL"

To explore Rosencrantz without speaking of Guildenstern would be difficult. Playwright Tom Stoppard once described the characters as “two halves of the same personality.” Their traits are complimentary; they come together to make one full human. Characters often confuse the two; even Rosencrantz and Guildenstern themselves are sometimes hard-pressed to remember who is who. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Stoppard introduces Guildenstern and his best friend and companion, Rosencrantz, as the two engage in tossing a coin. Guildenstern is the Thinker to Rosencrantz’s Doer personality. He is more intellectual, a quasiphilosopher. Guildenstern needs to explain the chaos of their lives with reason and logic; he needs to understand why things happen. When he is unable, he reacts passionately and angrily, often lashing out at those around him. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

The Player is the leader of a group of traveling tragedians. He is charismatic and energetic — a true showman. He lives for an audience and, when denied one, grows upset, worried, and angry. Rosencrantz and Guildenstern disappear right as the troupe was preparing a performance for them. The Player has a cunning intelligence; although he and Guildenstern rarely agree, the two enjoy matching wits. He bears an enigmatic knowledge of the play’s events. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Hamlet is the Prince of Denmark. In recent months, his father was murdered by his uncle, Claudius, who then married his mother, Gertrude, and assumed the crown. One night, his father’s ghost appears to him, order his son to avenge his death. Hamlet, normally the lead in his own play, is relegated to a far smaller part in Rosencrantz and Guildenstern are Dead. Here, we see his story unfold in only bits in pieces. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Alfred is the youngest member of the Player’s troupe of traveling tragedians. Being the youngest, he is often emasculated, playing all the female characters and serving as the Player’s most frequent victim. Though the company once was known for their vast repertoire of plays, they have recently fallen on hard times, and the Player is willing to trade his tragedians for any sum of money. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

The tragedians are a group of four men (in addition to Alfred, their youngest member) who work as part of the Player’s traveling company of actors. They have a vast repertoire of plays, all extremely melodramatic and sensational, all including very violent death scenes. In recent years, however, the company has fallen on hard times. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Claudius is a duplicitous, ruthless schemer. He murdered his own brother, then married his brother’s widow in order to gain the throne. Once King of Denmark, he will do anything to keep his role, including having his nephew/stepson, Hamlet, murdered. As opposed to his prominent role in Hamlet, Claudius plays less of a major part here. He summons Rosencrantz and Guildenstern to Elsinore to monitor Hamlet. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Gertrude is Hamlet’s mother and Queen of Denmark. Her first husband has recently died; within a month, she married her brother-in-law, Claudius. As opposed to her prominent role in Hamlet, Gertrude plays less of a major part here. She is a sincere woman, genuinely hoping that Rosencrantz and Guildenstern can help her son. Although her acts can be seen as disgraceful, she does seem to feel true love and affection for her new husband. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Polonius is Ophelia’s father and chief political advisor to Claudius, the new king of Denmark. As opposed to his prominent role in Hamlet, Polonius plays less of a major part here. He is a pompous, long-winded older man. However, he outsides cannot hide the shrewd and pompous man within. He is excessively proud of having such influence with the king, as he boasts of often. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Ophelia is a young woman living at Elsinore, the royal castle of Denmark. Her father, Polonius, is one of the royal family’s chief advisors. She is in love with the young prince, Hamlet. Hamlet, however, has been going through some pretty big changes lately. His father died mysteriously and his uncle married his mother before ascending to the throne. Hamlet seems to be going crazy — he is melancholy, brooding, angry, cynical, and possibly insane. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

Horatio is a close friend and confidante of Hamlet. As opposed to his prominent role in Hamlet, Horatio plays a very small part here. He appears only in the final scene, cradling the body of his dead friend. He wants all bodies to be brought out, so that he may tell the truthful, sad tale of his friend. His lines are directly taken from Hamlet, where he also has the last words of the play. "ROSENCRANTZ & GUILDENSTERN ARE DEAD"

The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

Who arrive in the final scene, one speaking and one nonspeaking; Featured ensemble roles. The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

Who arrives in the final scene to take the Danish throne, nonspeaking; Featured ensemble role. The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

Ophelia’s brother, who lies dead in the final scene. Featured ensemble role. The ensemble plays many roles in Rosencrantz and Guildenstern are Dead. Ensemble size may vary by production.

Wears a black bonnet, a black habit, and rimless glasses. The the principal of St. Nicholas Church School in the Bronx, Sister Aloysius is rigid and conservative in her vision of education, watchful over her teachers and students, and firm about the hierarchy of the church and its disciplinary methods. Before she became a nun, Sister Aloysius was married, but her husband died in World War II. "DOUBT: A PARABLE"

Father Flynn is a working-class Northeasterner turned well-liked priest and teacher. His goal is “progressive education and a well-rounded church,” making him popular with the students, but unpopular with the traditional principal Sister Aloysius. Sometimes, his progressive nature blurs the boundary between his position as priest and the role he plays as “friend” to some of the students. "DOUBT: A PARABLE"

A young nun and teacher at the St. Nicholas Church School. Though she’s at times overwhelmed by her eighth-grade students, she does her best to resolve any issues herself. Sister James is an enthusiastic teacher who loves history, though according to Sister Aloysius, her teaching methods verge a bit towards the performative. Sister James is sensitive and eager to forgive and forget, so she struggles to make sense of the conflict between Sister Aloysius and Father Flynn. "DOUBT: A PARABLE"

The mother of Donald Muller, a student who recently transferred to St. Nicholas Church School. Mrs. Muller aims to make a good impression, dressed in her Sunday best to meet with Sister Aloysius. Mrs. Muller is intelligent and fully aware that her race is a factor in her treatment and the treatment of her son, and she pulls no punches. She is fiercely protective of her son, although she knows that her husband beats Donald, perhaps because he is effeminate. "DOUBT: A PARABLE"

The famous knight from Shakespeare’s Henry IV plays, Sir John Falstaff is a man past his prime. He imagines that he is a great lover and scholar, when in actuality he is something of a bully and encourages his followers Bardolph, Pistol, and Nym to cause mischief as well. He steals money, poaches deer, and eats and drinks to excess in other men’s houses. "THE MERRY WIVES OF WINDSOR"

Mr. Ford is a wealthy gentleman of Windsor. He has a suspicious nature, and when he learns that Sir John Falstaff sent his wife a love letter, he is immediately jealous and suspects the worst. (In fact, his wife knows that Ford is prone to jealousy, and does nothing to discourage him in order to further her pranks against Falstaff.) "THE MERRY WIVES OF WINDSOR"

Mrs. Ford, one of the titular “Merry Wives,” is a fun-loving and social lady of Windsor. Even though she is married, Sir John Falstaff sends her a love letter, hoping that he can woo and win her--and her money. But he has also sent the same letter to her best friend, Mrs. Page. The women decide that they must teach Falstaff a lesson, and so Mrs. Ford pretends to be swayed by Falstaff. "THE MERRY WIVES OF WINDSOR"

A wealthy gentleman of Windsor, Mr. Page enjoys throwing dinner parties and wining and dining his neighbors-- especially when those neighbors are interested in marrying his daughter Anne. Unlike his jealous neighbor Mr. Ford, Page is never concerned about his wife’s fidelity. He relies on her implicitly, and gives her the freedom to walk around town unaccompanied, trusts her with money, and lets her associate with whomever she pleases. "THE MERRY WIVES OF WINDSOR"

One of the titular “Merry Wives,” Mrs. Page is the recipient of a love letter from Sir John Falstaff. However, he sent an identical letter to her friend, Mrs. Ford, and the women realize that he does not have true love or honorable intentions. Together the best friends plot to humiliate Falstaff. While Mrs. Ford is the “bait” for the knight, Mrs. Page is the set-up woman--she announces when Mr. Ford will be home and conveys messages to people regarding their pranks. "THE MERRY WIVES OF WINDSOR"

A servant in the house of Dr. Caius, Mistress Quickly is an engaging busybody known around town for her wit and influence with Anne Page (a young woman several men want to marry). Quickly easily goes from house to house, delivering messages and—in the case of Fenton—a ring. Mrs. Ford and Mrs. Page enlist Mistress Quickly to help them humiliate Falstaff. "THE MERRY WIVES OF WINDSOR"

Fenton is a young man in love with Anne Page. Because he is a former friend of Prince Hal (known for his wild partying), Anne’s father Mr. Page tries to keep the young lovers apart. Fenton gives up trying to get Mr. Page to like him, and decides that he must take action if he is to marry Anne--rather than either of the men her parents prefer. He is romantic and honorable, and recognizes Anne as more than money or property. "THE MERRY WIVES OF WINDSOR"

Robert Shallow is an elderly country justice (he states that he has lived “fourscore years and upward”). He is a friend of several local men, and regularly reminds people of his elevated social status; while he is not a knight, he is still aristocratic, and feels comfortable confronting Falstaff (who has poached deer from his land). "THE MERRY WIVES OF WINDSOR"

Slender is a young man and cousin to Justice Shallow. While Shallow is working to arrange a marriage between Slender and Anne Page, Slender has absolutely no interest in marriage and is consistently awkward and even insulting around her. He is more interested in living a bachelor’s life, and is even a little resentful that he is being forced into a union, even though it is with a wealthy and desirable young woman. "THE MERRY WIVES OF WINDSOR"

Anne Page is the daughter of Mr. and Mrs. Page. She is eligible for marriage, and while each parent has a different suitor in mind (specifically Dr. Caius and Slender), Anne’s heart belongs to Fenton. Anne is witty and clever around her suitors, despite her patience clearly being stretched thin by the dull Slender. When she is with Fenton, Anne is loving and romantic, and her conflicted loyalties are evident. "THE MERRY WIVES OF WINDSOR"

The local parson and schoolteacher, Sir Hugh Evans enjoys being involved with the day-to-day business in Windsor. He begins the play insulted by Falstaff’s boorish behavior, but quickly forgets his animosity. He is friends with Robert Shallow and Abraham Slender, and makes it his mission to help Slender win the heart of Anne Page. But in doing so, he makes an enemy of one of Anne’s other suitors. "THE MERRY WIVES OF WINDSOR"

Dr. Caius is the French physician in Windsor who wants to marry Anne Page, and he is Anne’s mother’s choice for her daughter. He is suspicious by nature, and ready to rise up and defend his honor if he thinks he’s been wronged. At the slightest insult, he is ready to fight to the death--when Dr. Caius discovers a strange servant in his house, he challenges Sir Hugh Evans to a duel. "THE MERRY WIVES OF WINDSOR"

The Host of the Garter Inn is the local barkeep of Windsor, ready to listen to any laments and jump into any plots that involve pranks. When he learns that Dr. Caius and Sir Hugh Evans are preparing to duel, he sends each of them to a different location, and later mocks them. When the jealous Mr. Ford wants to deceive Falstaff, the Host helps disguise the husband as a man named “Brook.” "THE MERRY WIVES OF WINDSOR"

Bardolph is a follower of Sir John Falstaff. He enjoys drinking and rowdiness, but is a terrible thief and often caught, forcing Falstaff to bargain for his freedom. To earn money honestly, Bardolph becomes a bartender at the Garter Inn. He is a flat character, interested only in parties and a good time with his friends. He is largely abandoned by everyone, though, because he is too dedicated to drinking, so the Inn is the perfect place for him. "THE MERRY WIVES OF WINDSOR"

Pistol is a follower of Falstaff. He enjoys drinking and having a good time, but can also have a temper. He is all talk and no action--even when he threatens someone, he never follows through. He hangs around Falstaff mostly to get money and booze, and is privy to Falstaff’s plan to woo the “merry wives” and get their money. "THE MERRY WIVES OF WINDSOR"

Nym is a follower of Sir John Falstaff. Like his friends, he spends his time drinking, thieving, and causing mischief. However, Nym does develop a conscience after Falstaff decides to woo the “merry wives” in order to get their money. He convinces Pistol to tell the husbands Mr. Ford and Mr. Page what Falstaff is up to. Nym’s sense of honor doesn’t last long, and in true barfly fashion, he continues to drink and insult his friends and even his enemies. "THE MERRY WIVES OF WINDSOR"

Simple is the foolish and simple-minded servant to Abraham Slender. Like his master, Simple is fairly boring, and spends most of his time running errands and delivering messages for Slender and Shallow (Slender’s cousin). He is easily threatened and tricked into giving up messages to the wrong people, complicating the plot of Slender and Anne Page. "THE MERRY WIVES OF WINDSOR"

William Page is the young son of Mr. and Mrs. Page, and the little brother to Anne. He recites a Latin lesson to his mother and Hugh Evans, and while the brief scene has nothing to do with the plot, it does give a glimpse of a schoolboy’s life in Windsor. Presumably, this also echoes the life and education Shakespeare himself would have had in Stratford. "THE MERRY WIVES OF WINDSOR"

Robin is the page to Falstaff. Mrs. Ford enlists his help to serve as a messenger for Falstaff, and he (perhaps unwittingly) helps the wives trick and humiliate Falstaff. "THE MERRY WIVES OF WINDSOR"

Rugby is the wearied servant of Dr. Caius. He delivers messages while desperate to avoid his master’s unreasonable and quick temper. Rugby generally helps Mistress Quickly, who is also a messenger between Falstaff and the wives, as well as between Anne Page and Dr. Caius. "THE MERRY WIVES OF WINDSOR"