Equity Actors Wanted for 2025-26 Season
Equity actors for roles in 2025-26 Season. ONLY LOCAL TALENT WILL BE CONSIDERED. See breakdown below. Rate: SPT $538 weekly minimum (SPT 5) Additional info: PREPARATION: Please prepare 2 contrasting contemporary monologues reflecting range, language and vulnerability. If you wish to be considered for the musical, please additionally prepare a 32-bar cut of a Sondheim song. Each candidate will have 5 minutes. Please bring two copies of your headshot/resume. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "THE MOTHER" Rehearsals begin: October 13, 2025 Performances: November 6, 2025, through November 23, 2025 "THE INHERITANCE - PART ONE" Rehearsals begin: December 8, 2025 Performances: January 8, 2026, to January 25, 2026 "MERRILY WE ROLL ALONG" Rehearsals begin: February 16, 2026 Performances: March 12, 2026, to April 5, 2026 If you are interested, please apply.
24 roles
Well-educated, well paid, devoted to his wife - or is he? Dialect: British RP. "THE MOTHER"
Possesses a complicated relationship with his mother that is played out in many ways in the play. Values his independent life and loves his girlfriend. Dialect: British RP. "THE MOTHER"
She plays two roles in the play - one being a caregiver and the other being a darker, more demanding girlfriend to the son. Dialect: British RP. "THE MOTHER"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
Jewish. "THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
"THE INHERITANCE - PART ONE"
A man of or about forty. He starts off as a gifted composer and songwriter and ends up a powerful film producer. Highly charismatic, ambitious, tragic, jaded. Vocal Range Top: Bb4, Bottom: A2. "MERRILY WE ROLL ALONG"
A man of or about forty. He starts off a very talented lyricist fighting conventions and ends up a genius, celebrated playwright. Stubborn, reactive and highly intelligent. Vocal Range Top: G#4, Bottom: A#2. "MERRILY WE ROLL ALONG"
A woman of or about forty. She starts off an eager writer with a big wide-open heart and ends up a jaded, alcoholic critic. She’s been in love with Franklin since the beginning of their friendship. Mary’s weight fluctuates in the course of the musical. Vocal Range Top: Gb5, Bottom: D4. "MERRILY WE ROLL ALONG"
She starts off as a secretary to a theatrical producer and turns herself into a very famed & larger-than-life stage actress. She marries Franklin out of necessity but winds up really in love with him. Vocal Range Top: C5, Bottom: G3. "MERRILY WE ROLL ALONG"
He starts off as a successful Broadway producer giving Franklin and Charlie their start. He marries and divorces Gussie. He winds up broke. Will double as other roles. Vocal Range Top: F#4, Bottom: A2. "MERRILY WE ROLL ALONG"
Will double as several roles including Meg who is the new love interest of Franklin. Meg is a rising Hollywood star, full of sex appeal and has her eyes on the ball. Vocal Range Top: Gb5, Bottom: D4. "MERRILY WE ROLL ALONG"
Will double as both K.T., an ambitious journalist-turned-news anchor and Mrs. Spencer, the mother of Beth. "MERRILY WE ROLL ALONG"
Will double in a myriad of roles including Mr. Spencer, the father of Beth. "MERRILY WE ROLL ALONG"
RU, a hopeful writer and bartender - youthful and somewhat brazen. Will double as several other characters. "MERRILY WE ROLL ALONG"
"MERRILY WE ROLL ALONG"
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