Casting Equity Actors for "The Phantom Of The Opera" Tour
Equity actors for the touring production of "The Phantom Of The Opera". See breakdown below. Rate: Touring Agreement $2599 weekly minimum (Level 1) Additional info: Audition break: 1:30PM - 2:30PM PREPARATION Please be prepared to sing a brief song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided. Please bring a current picture and resume, stapled together. First Rehearsal: On/About September 22nd, 2025 First Performance: On/About November 7th, 2025 EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. NOTE: These characters can be African American, Latine, MENASA, API, Indigenous, Mixed, or Caucasian. If you are interested, please apply.
9 roles
Needs a dynamic, bravura, “star” performance, with excellent acting and singing ability. The Phantom is both frightening and irresistible. High baritone or tenor (with a strong low range) with a contemporary sound. Able to sustain from low A flat to high A flat, with ease in full voice and high C# in falsetto.
A beautiful lyric soprano voice that combines elements of classical and musical theatre singing. Sings G below middle C to high E. Christine is initially a part of the Corps de Ballet at the Opera Populaire within the show. NOTE: some dance training is an advantage but not a requirement.
Dashing, handsome young aristocrat. Contemporary high baritone/tenor (2 octave range from A flat to A flat).
ANDRE & FIRMIN: The Managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled. Have good instincts for stylish comedy. Firmin is the hard money man, a boar. Andre is charming with an artistic temperament, a dilettante. Firmin is a baritone and sings to high E/F. Andre is a baritenor with a lyric quality and sings to high G with ease.
ANDRE & FIRMIN: The Managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled. Have good instincts for stylish comedy. Firmin is the hard money man, a boar. Andre is charming with an artistic temperament, a dilettante. Firmin is a baritone and sings to high E/F. Andre is a baritenor with a lyric quality and sings to high G with ease.
The prima donna of The Paris Opera. The archetypal diva in every sense of the word. Strong operatic singer with a good comic sense. Italian coloratura soprano who sings to high E.
Ballet Mistress of the Opera Populaire. An enigmatic, stern, forbidding figure. Mezzo soprano to high B flat.
A member of the Corps de Ballet and Madame Giry’s daughter. Has strong classical dance technique and excellent pointe work. Vocally a sweet, light soprano sound with secure mix. The Act One septet requires her to sing to G5.
Archetypal, Italian operatic leading tenor. Companion to Carlotta within the Opera Populaire. Sings to legit high C.
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