Monty Python's "Spamalot" Musical Needs Singers
The company is excited to announce auditions for 2023 Spring Musical Monty Python's "Spamalot" and looking for singers. Please see the details below About the project: Spamalot tells the legendary tale of King Arthur’s quest to find the Holy Grail. Inspired by the classic comedy film, Monty Python and the Holy Grail, the musical also diverts a bit from more traditional versions of the legend. Instead, Spamalot features shenanigans including a line of beautiful dancing girls, flatulent Frenchmen, and killer rabbits. Outside, there is plague with a 50% chance of pestilence and famine. Throughout the show, Arthur, traveling with his servant Patsy, recruits several knights to accompany him on his quest, including Sir Bedevere, Sir Robin, Sir Lancelot, and Sir Galahad. Besides the rabbits and farting Frenchman, they meet such characters as the Lady of the Lake, Prince Herbert, Tim the Enchanter, Not Dead Fred, the Black Knight, and the Knights who say Ni. Additional info: Please prepare 16-32 bars of a song (a verse and a chorus, please do not sing a whole song). An accompanist is provided. Karaoke tracks can be connected via aux cord or bluetooth. Please do not sing acapella. Cold reading from the script and a simple dance audition will follow. Please wear appropriate attire. Performance dates for this show will be April 28th-May 21st, 2023 Actors must be available for all performances. Rehearsals are usually scheduled for a few days a week, occurring Mondays-Thursdays with occasional weekend rehearsals.
25 roles
(Baritone) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer.
A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily.
Tenor/Baritone – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for singing and dancing. May also play GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover.
(Tenor/Baritone) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he may also play THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent.
(Tenor/Baritone) – King Arthur's horse and servant. Under-appreciated but always longing for Arthur's approval. Good, funny, physical mover with some tap dancing. He may also play MAYOR, a jolly red-faced man who advertises the merits of his hometown; and the drunken, useless GUARD 2. Very good mover. Tap skills are a bonus.
(Tenor) – A Knight of the Round Table. Begins as Dennis, a lower class "mud gatherer" who becomes knighted and transforms into the dashing Sir Galahad. He may also play PRINCE HERBERT'S FATHER, a wealthy, brutish Yorkshireman at odds with his sensitive son; and THE BLACK KNIGHT, who is always ready to duel despite multiple injuries. Strong bari-tenor singing required.
(Tenor/Baritone with falsetto) – A Knight of the Round Table. An inept scholar. He may also play DENNIS GALAHAD'S MOTHER, a shrill peasant woman; and CONCORDE, Sir Lancelot's horse.
(Tenor) – A tweedy academic. He may also play NOT DEAD FRED, a sickly little fellow who -- despite others' beliefs -- claims he is "not yet dead"; a FRENCH GUARD, the condemnatory sidekick to the French Taunter; a MINSTREL in Sir Robin's band; and PRINCE HERBERT, the hopeful and frilly prince who loves to sing and pines for his love atop a tower. Tenor singing required. Very good mover.
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred; tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
Strong dance skills preferred, tap skills a bonus ENSEMBLE
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