"Tuck Everlasting" the Musical Seeking Actors and Performers
ONLY LOCAL TALENT WILL BE CONSIDERED. Auditions for the musical "TUCK EVERLASTING"! Actors needed. See more details below. About the project: Synopsis: In turn-of-the-century Treegap, New Hampshire, 11-year-old Winnie Foster longs for freedom beyond her strict home. When she meets the mysterious, ageless Tuck family—who once drank from a secret spring—Winnie is drawn into their world and hunted by a carnival huckster who wants to exploit the spring. Over one extraordinary week she learns about love, loss, and the “wheel” of life, and must choose between eternal youth and a mortal life fully lived. The show blends folk-inflected Broadway tunes with a wordless ballet that traces Winnie’s life to its natural end. At its heart, Tuck Everlasting is a story about love, loss, and the beauty of living life fully. Additional info: Thursday, Dec. 18, 7:00 pm (callbacks) Note: Audition Reservations are required Performances of Tuck Everlasting will be April 10, 11 12 & 17, 18, 19. Rehearsals are being planned for Sundays (2:00-6:00 pm), Tuesday and Thursday (6:30-9:30pm). If interested, please prepare 32 measures of music. Bring your music in the key you intend to sing. An accompanist will be provided. The audition will consist of a vocal audition and a monologue reading (provided). There will also be a short dance/movement audition.
10 roles
Stated character age is 17; tenor F3–C5. Eternal seventeen—mercurial, charming, and a little lonely—Jesse coaxes Winnie toward possibility and tempts her with the spring’s promise; requires youthful tenor with secure mix for “Top of the World/Seventeen.”
To play 21–25; baritone/tenor F3–C5. The older brother, grounded and carrying real heartbreak; his solo “Time” demands warm lyricism and introspection; strong scene partner who shows the cost of immortality.
To play 40s–50s; tenor E3–B4. The philosophical father who teaches Winnie about the “wheel” and why life’s seasons matter; generous presence with legit/mix for “The Wheel” and tender scenes opposite Winnie and Mae.
To play 40s–50s; mezzo-soprano A3–E5. The warm, practical matriarch whose fierce love protects both family and Winnie; comfortable, maternal presence with lyric mezzo for “My Most Beautiful Day.”
To play 50s–60s; tenor G3–B4. A silky showman/carnival barker who will do anything to bottle and sell eternity; needs style, bite, and patter agility for “Everything’s Golden.”
To play 40s–60s; tenor F3–B4. Treegap’s well-meaning lawman—folksy, affable, and easily dazzled; comic timing for his duet and scenes with Hugo.
To play mid-teens–20; tenor G3–C5. An eager deputy in training who crushes on Winnie and idolizes Joe; energetic mover with bright mix for “Hugo’s First Case.”
To play 30s; mezzo-soprano A3–E5. Newly widowed and rigid from fear, she clamps down to keep Winnie “safe”; must balance comic fussiness with genuine love and anxious vulnerability.
To play 50s–60s; alto A3–C♯5. Proper, wry, and more indulgent than Mother; provides homespun humor and warmth, plus a touch of New England superstition.
The cast requires a strong ensemble of Fairgoers and Townsfolk of all ages. Strong movers preferred.
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